Showing posts with label Kuku Sebsebe. Show all posts
Showing posts with label Kuku Sebsebe. Show all posts

Saturday, November 1, 2008

Digital Ethiopia Pt. 2

As I explained in
"Digital Ethiopia Pt. 1," the last decade and a half have seen an explosion of Ethiopian musical releases recorded in the United States. While these productions have the benefit of state-of-the-art recording facilities, they tend to lack the freshness and immediacy of the home-grown recordings of the '70s and '80s. In this post I'll be highlighting some of the great Ethiopian female singers who have made careers in this country but I also want to post a couple of tracks by a musician who doesn't fit into that category.

Tadesse Alemu was from Wollega province in western Ethiopia and seems to have begun his recording career in 1997, when he released Ethiopian Wedding Songs (Ethio Sound Productions). This is the only recording I have by him, but he released several others, all in the same vein: traditional melodies updated for modern times. Here are two tracks from Ethiopian Wedding Songs:

Tadesse Alemu - Shinet

Tadesse Alemu - Hedach Allu

Alemu is said to have passed away in 2007, but he has a number of videos on YouTube, including this adaptation of a traditional Ethiopian Orthodox hymn (I think some of the footage is lifted from The Passion of the Christ!):

Hamelmal Abate's song "Kalkidan" was included on my compilation African Divas Vol. 1. Her career began during the dark days of The Derg when she performed with the National Theater (formerly the Haile Selassie 1 Theater) and recorded several hit cassettes. After stints with the Roha Band and the Ethio-Stars she moved to the United States in the early '90s. "Tirulegn" is from her 2006 CD Gize Mizan (Amel Productions):

Hamelmal Abate - Tirulegn

Hana Shenkute, singing with the Abyssinia Band, graced 1992's Music from Ethiopia (Caprice CAP 21432), and she's been getting rave reviews lately for her performances across the US with the Either/Orchestra.
I'm pleased to present this tune by her from her debut solo release Hana (Yared Cahen Productions YCP-HSD 001). A pleasant change from most of the synthesizer-driven sounds here, backup is by the Admas Band (more about them below):

Hana Shenkute - Addis Fekere

A tune by Abonesh Adnew was featured on my collection African Divas Vol. 2. Currently residing in Washington DC, Abonesh is one of Ethiopia's finest new vocalists and sings in many of its languages. Here's a video featuring her music, and here's another. "Limitawey" is taken from her excellent 2004 release Bahilen (Electra Music & Video Center):

Abonesh Adnew - Limitawey

One of the most popular postings on Likembe has been "Ethiopian Honey", featuring Kuku Sebsebe's outstanding '80s cassette Munaye. Of course you know I'm a huge fan of this wonderful singer, and I wish I could tell you more about her. All I know is that she was apparently resident in DC for a number of years, recently had a "comeback" and is said to have returned to Ethiopia. Although I don't think her recent work measures up to Munaye, I'm happy to present another tune by her, from her 2003 CD Tinish Geze Sitegn (Nahom Records):

Kuku Sebsebe - Hallo Belat

My daughter Aku asked, "Is Chachi Tadesse trying to be the Ethiopian Beyoncé?" There's no question this sexy LA-based singer has what it takes in the looks department, although her musical stylings are quite different from those of the former Destiny's Child member. While her debut release Global Rhythm (C.T. Records, 1994) went for a "World Beat" (God, I hate that term!) feel, 2000's Medina (C.T. Records) hews closer to the standard Ethiopian sound. Here are two tracks by Chachi, one from each CD:

Chachi Tadesse - Africa

Chachi Tadesse - Medina

In the course of researching this post, I came across a very informative interview with Kay Kaufman Shelemay, a professor of music and African and African American Studies at Harvard University. Among other things, she discusses the musicians who make up the Admas Band, a group that is ubiquitous on Ethiopian recordings made in the US, in fact they play on most of the tunes showcased in this post and in
"Digital Ethiopia Pt. 1." Fasil Wuhib, Abegasu Kibrework Shiota, and Hennock Temesgen, shown below (l to r) comprise the core of the group:

Bassist Fasil Wuhib played with the Dahlak Band and the Ethio-Stars before emigrating to the US in 1990. Abegasu Shiota, who plays keyboards
, was born in Japan of a Japanese mother and an Ethiopian father. Like Mulatu Astatqé, he studied at the Berkeley College of Music in Boston and recently returned to Ethiopia, where he has a recording studio and teaches young musicians at the Yared School of Music in Addis Ababa. Bassist and producer Hennock Temesgen has also returned to Ethiopia. Together, these musicians have performed with just about all of the Ethiopian artists who have made their way to the United States.

None of these recordings are available through the usual channels, but they are well worth searching out. An excellent source in Los Angeles
is the Merkato Ethiopian Gift Shop, 1036½ S. Fairfax Ave. (323-935-1775) which is in the middle of Little Ethiopia, a one-block stretch of restaurants and shops.
n Chicago, Abyssynia Market, 5842 N. Broadway (773-271-7133) and Kukulu Market, 6129 N. Broadway (773-262-3169) both have nice selections of music. I understand a good source in DC is Ethio Sound, 2400 18th St. NW (202-232-6076), and there are many other sources in the area. Online, AIT Records and Nahom Records are both good.

Sunday, November 25, 2007

Ethiopian Honey

I'll never forget the first time I heard Ethiopian music. I was in a restaurant called The Blue Nile in Tribeca around 1982 or '83, long since closed although I believe there is now another restaurant by that name in Manhattan. There was a scratchy, much-dubbed cassette playing on the sound system. The instrumentation was pure American R&B, but the vocals, well, the vocals were something else entirely. It was hard to explain but the overall effect sent chills up and down my spine. Other people have since told me that they had the exact same reaction the first time they heard these enigmatic sounds.

In 1985 I started doing "African Beat," a weekly program for WYMS-FM in Milwaukee, and through the show started to come in contact with Ethiopians living in town. Most of them described themselves as political exiles, Ethiopia at that time being ruled by a military dictatorship, the Derg, that called itself "Scientific Socialist." Of course I nagged them mercilessly for music from their homeland, and they were happy to comply. They loaned me about ten cassettes, and my love affair with Ethiopian music was rekindled.

The music industry in Ethiopia in the 1980s was in a state of meltdown. Shortly after the fall of Haile Selassie in 1974, production of vinyl recordings ended, and the political turmoil of the time, with the Derg and its rivals engaged in a bloody civil war, meant a more or less permanent curfew and the resulting disappearance of nightlife.

But Ethiopian music persevered. There being no record pressing plants or professional cassette-duplicating facilities, the various music shops - Electra, Ambassel, Kaifa and the like - took matters into their own hands. Musicians were contracted with, master tapes were recorded, cassettes were dubbed one-by-one on cheap boomboxes, and distributed throughout Ethiopia by the hundreds of thousands.

Francis Falceto's Ethiopiques series on Buda is justly renowned for bringing to light the classic Ethiopian recordings of the Imperial Era. In the liner notes of Ethiopiques 20: Either/Orchestra (Buda 860121, 2005), Falceto decries the current state of Ethiopian music for its lack of adventurousness and reliance on junky synthesizers, as contrasted with the artistic expermentation and professionalism of "The Golden Years."

I certainly don't disagree with Falceto's assessment of the current state of the Ethiopian music scene, but I just can't buy his implicit dismissal of the Derg years as a musical desert. Keep in mind that it was during this era that the renowned singer Aster Aweke began her career, as did Efrem Tamirru, Hamelmal Abate, Martha Ashegare and a host of other artists. Moreover, the great singers of the classic period - Tilahun Gessesse, Mahmoud Ahmed and the like - did some of their most memorable work under the Derg (Ere Mela Mela, anyone?).

One of the singers who got her start in Addis Ababa in the early Eighties is Kuku Sebsebe, whose cassette Munaye (Electra Music Shop, ca. 1985) ranks as one of the greatest Ethiopian recordings ever. I would rate it, actually, one of my ten favorite African recordings of all time. Like many Ethi
opians, Kuku lived in exile in Washington, DC, and recorded several CDs there. She is said to have returned permanently to Ethiopia in 2003.

My fervent hope is that someday Munaye will be reissued in the format that it deserves, remastered from the original master tapes. Until that day I present it to you now, digitized from one of those homemade Ethiopian cassettes. I have also included three tunes by Kuku Sebsebe from the compilation tape Ambassel Bidiyona Muziqa Mdbere (Ambassel Music Shop, ca. 1985). In case you want to make your own CD, I've provided front and back covers.

Kuku Sebsebe - Benafeqote Newe

Kuku Sebsebe - Hodiya

Kuku Sebsebe - Yagere Watat

Kuku Sebsebe - Feqreh Beretabenye

Kuku Sebsebe - Munaye

Kuku Sebsebe - Bleby Gwadana (Instrumental)

Kuku Sebsebe - Bleby Gwadana

Kuku Sebsebe - Iny Webe Qonjo

Kuku Sebsebe - Sayehe Dese Yeloale

Kuku Sebsebe - Yanene Yegy Uga

Kuku Sebsebe - Dany Belewe

Kuku Sebsebe - Instrumental

Kuku Sebsebe - Ugawe Glegamy

Kuku Sebsebe - Iaregale

Kuku Sebsebe - Klete Igy Mewe Dede

Not knowing even a shred of Amharic, I transliterated the song titles from the cassette track listing (right), using a table of the Ge'ez Syllabary. The results don't look quite "right," so anybody with knowledge of the language is warmly invited to correct me.