Sunday, June 10, 2018

Wanyika's Back!



I promised this one a while back, and here it is! Tanzanian/Kenyan superstars Les Wanyika give us another scinitillating slice of Swahili Rumba, 1989's Nimaru (Polydor POLP 598). Nothing much to say about this one, so I'll let the music speak for itself. Enjoy!

Les Wanyika - Nimaru

Les Wanyika - Mama Watoto

Les Wanyika - Mumu Wangu Waniteza

Les Wanyika - Shemeji Agnes

Download Nimaru as a zipped file here.


Monday, June 4, 2018

One More from "One Man Thousand"



Ghanaian highlife superstar Alex Konadu, or "One Man Thousand," was the subject of a previous post here on Likembe, and the indefatigable Moos over at Global Groove has a wealth of recordings by him. Sadly, since our last visit with him Mr. Konadu passed away on January 18, 2011. A Ghanaian website had this to say about him:

....Alex Konadu was born in 1950 at Adwumakase Kese in the Kwabere No.3 District of Ashanti. Konadu started singing at an early age, and became the leader of the Kantamanto Bosco Group before moving on to the band of the well-known Kwabena Akwaboah. He honed his artistic skills there after three years moved to the Happy Brothers Band. 
After two years Kwabena went 'solo' for some time, composing and practicing until he invited Mr. A.K.Brobbey -record dealer and producer- to listen to his rehearsals and he got signed and Brobbey organised a band. With their new, very uptempo guitar Highlife they had instant succes. 
His ability to draw crowds wherever he went gave Konadu the appellation "One Man Thousand." Withstanding the vicissitudes of fame and fashion, and staying true to his vision of pure, unadulterated highlife music, he became an inspiration to Ghanaian musicians for years. While Konadu issued many wonderful recordings over the decades, Asaase Asa is still considered one of his most noteworthy achievements. 
The 1976 album Asaase Asa (Brobisco KBL 016) was a breakthrough hit for Alex Konadu, establishing him as Ghana's foremost exponent of "roots highlife." The title song was based on a true story about Mr. Asaase Asa, who lost both his wife and sister when they were killed by a falling tree. It is dedicated to all who have lost their loved ones. Alex Konadu carved a special name for himself dedicating most of his songs in praise of the dead and his music is a must-play at any Ghanaian funerary.....
Today I present an Alex Konadu record that I haven't seen on any of the other African music sites, recorded during a Canadian sojourn - 1992's Da Bi Wo Behunu (BlackSounds RTLP 003). This is classic Konadu - Ghana highlife stripped down to its propulsive, infectious essentials. Enjoy!

Alex Konadu - Da Bi Na Wo Behunu

Alex Konadu - Agya Ata Wuo Part II

Alex Konadu - Pa Pa No No

Alex Konadu - Yen Anya Aba Na Yen Ko Ye Mu

Download Da Bi Wo Behunu as a zipped file here.


Wednesday, May 30, 2018

Advance Kusugar! Zimbabwe Hits Vol. 3



We conclude our overview of DiscAfrique's Zimbabwe Hits compilations with Volume 3 of the series - Advance Kusugar! (DiscAfrique AFRI LP 006, 1988). Some of the biggest names of late '80s Zimbabwe music are here, and some lesser-known talents as well.

Jonah Moyo founded Devera Ngwena ("Follow the Crocodile") in 1979 to entertain the workers at Mashaba Asbestos Mine, which became their sponsor. Their combination of Congolese rumba and indigenous sounds immediately became a sensation, the group waxing numerous singles like "Solo na Mutsai," "Taxi Driver" and many others, including this offering, "Karekita"."What's your problem? Love can't be bought. It floats like the wind."


Explorations of the mbira, or thumb piano, by Master Chivero, about whom I've not been able to find anything. "Get on your bike and go after the sweet one. Marry her and do not lose her."


R.U.N.N. Family was made up of members of the Muparutsa family. The song is a tribute to the then-recently-departed President of Mozambique, who died in a plane crash under suspicious circumstances, probably the work of South Africa. He is compared to other African freedom fighters: "Someone keeps stirring and heating the pot. [Herbert] Chipeto, [Steve] Biko and now Samora Machel. They kill our friends. We can only pray to God and remember the inheritance of Samora Machel. Our life is the struggle."


Here are the Jairos Jiri Band, whom we remember from Take Cover!, the first volume of Zimbabwe Hits. "Chiedza is so beautiful. Her face is like a snake's egg. The sun is rising and she is my morning. I love her and will marry her."


More friends from Take Cover! "Business in town. 'Father, my business has failed. I do not want to steal. I will join the service economy. The gift of business, alas, I did not have it." 


"Nehanda, the grandmother of the ZANU people prophesied that one day they would rule themselves in a happy and free Zimbabwe."


"Ndicheni" is possibly in the Chewa language, and might be about a woman who abandons her children to go drinking in town.


"Mother, father, welcome your son. I have killed a buck and a kudu." 


"I love you more when you are happy." 


"Speak! Talk! Say what you have to say. The disadvantages of polygamy. How many women can you offer the sun and moon? How many wedding dresses will you spin from the flowers and trees? Will they believe you and how do you expect to be treated? Hell hath no fury like a woman spurned." 


"Friend, the beer hall or the church? Choose your road. Remember that to drink is a sin against God." 


Download Advance Kusugar! as a zipped file here. Researching this post I found the book Roots Rocking in Zimbabwe by Fred Zindi (Mambo Press, Harare, 1985) very helpful. Descriptions of the songs were provided by the liner notes of Advance Kusugar!.


Thursday, May 24, 2018

Goodbye Sandra: Zimbabwe Hits Vol. 2



We continue our exploration of the rockin'sounds of '80s-era Zimbabwe with Goodbye Sandra, the second volume of the Zimbabwe Hits series (DiscAfrique AFRILP 05, 1988). In contrast to the first outing in the series, this one features only four artists, but they're all great. Let's go!

We remember John Kazadi from Volume One of Zimbabwe Hits - Take Cover! John was originally from Lubumbashi, Congo, and here covers the lovely song "Le Bucheron" by the Congolese singer Franklin Boukaka. "Evoking the ancestors and those who died for liberation. It's time to enjoy the fruits of freedom and rejoice.":


Many reading this need no introduction to Oliver Mutukudzi. Apart from Thomas Mapfumo, he's probably the best-known Zimbabwean musician in the world, and no wonder - his deep, soulful voice is unparalleled. "Nzara" recounts the hunger and suffering during a drought:


During the Zimbabwe War of Liberation musician Simon Chimbetu fled into exile in Tanzania, where he joined the Zimbabwe African National Union and entertained its troops in exile. Shortly after Independence he joined with his brother Naison to form the Marxist Brothers. The brothers split in 1988, Simon forming the Dendera Kings and Naison forming the Gee 7 Commandos. In "Goodbye Sandra" the singer is bidding adieu to his foreign girlfriend and returning home to Zimbabwe:


The Sungura Boys were the band of John Chibadura (John Nyamukoko). Chibadura was born in 1957. Orphaned at an early age and forced to abandon his schooling, he worked a number of menial jobs before distinguishing himself on the guitar and founding the Holy Brothers with his friend Shepherd Chinyani. After a number of personnel and name changes the group became the Sungura Boys. At some point (either 1983 or 1985) John left to form his own band, the Tembo Brothers. Sadly, John Chibadura died in 1999. "Soweto" is "a song about suffering, pain, hardship and death in the struggle for freedom":


"Love is blind. If only it could stay that way."


"Africa" is "about the liberation of all Africa as the struggle for decolonization continues":


"A disease that has killed the singer's sister and uncle now afflicts his grandmother. Leaving the city to join her, his train breaks down":


"Tungamira" is about a young friend "who dies without a chance to say goodbye. He is asked to lead the way to heaven (or peace)." I will be posting more music by Oliver Mutukuzi on Likembe in the future: 


A sarcastic song about Abel Muzorewa's hapless "Zimbabwe/Rhodesia" regime, which held sway for only a few months before Independence in 1980. "How can a country possess two names?" I will be posting more music by John Chibadura on Likembe in the future: 


A dub version of the opening tune:


Download Goodbye Sandra as a zipped file here. Researching this post I found the book Roots Rocking in Zimbabwe by Fred Zindi (Mambo Press, Harare, 1985) very helpful. Descriptions of the songs were provided by the liner notes of Goodbye Sandra.


Friday, May 18, 2018

Take Cover! Zimbabwe Hits Vol. 1



Take Cover! Zimbabwe Hits Vol. 1 (DiscAfrique AFRI LP 01, 1986), and its sequels, Goobye Sandra: Zimbabwe Hits Vol. 2 (DiscAfrique AFRI LP 05, 1988) and Advance Kusugar! Zimbabwe Hits Vol. 3 (AFRI LP 006, 1988) capture a magic moment in African music - the optimistic years immediately after Zimbabwean independence in 1980. Thomas Mapfumo and the Bhundu Boys are familiar artists from this period, but these collections highlight musicians who aren't as well-known outside of Zimbabwe. I'm pleased to offer Take Cover! today, with the other two volumes to follow soon.

The Jairos Jiri Band has been one of the leading musical congregations of independent Zimbabwe. It is the official orchestra of the Jairos Jiri Rehabilitation Centre, which for six decades has worked to to rehabilitate and integrate into society Zimbabweans with disabilities. All of the members of the band are "disabled" in one way or another, and Paul Matavire, who led the group for a number of years, was blind. Matavire left the band in 1995 and died in 2005. Following a period of inactivity, the Jairos Jiri Band was recently revived under the leadership of Stewart Njodo."Take Cover" refers to the privations Zimbabweans suffered during the bitter struggle against white minority rule:


Ephat Mujuru (1950-2001) was well-known to African music aficionados in the US, particularly in the Pacific Northwest, where he was resident for many years at the University of Washington in Seattle, lecturing and teaching the mbira (thumb piano). Mujuru founded his first musical group, Chaminuka, in 1972, renaming it Spirit of the People after the fall of the Rhodesian regime in 1980:


The Family Singers, led by Jonathan and Shuvai Wutawunashe, were a leading Zimbabwean gospel group of the '80s. "Tarira Nguva," their first single and a smash hit, shows the clear influence of American country-western music. Shuvai Wutawanashe sings, "All Christians must work hard to uphold Christianity, as the devil is working hard to destroy us.":


The O.K. Success had their origins in Congo, but since their arrival in the former Rhodesia in 1960 they have become thoroughly Zimbabwean, both in personnel and in the subject matter of their music. The lead singer of "B.P.," James Chimombe, got his start with Thomas Mafumo's Acid Band before moving on to O.K. Success, and later recording with the Huchi Band and Ocean City Band. In 1990 he became the first prominent Zimbabwean musician to die of AIDS. The lyrics: "To err is human my friend. We all make mistakes at some stage in our lives":


Over on the Electric Jive blog Tony Hunter describes his first encounter with Africa Melody: “...I had a friend who lived in Kwe Kwe and I stayed with his family. There was a band that’s sound captivated me. Africa Melody was led by a guy called John Kazadi who I think came from Lubumbashi [Congo]. The few references to the band describe it as sungura music but to me it had less of rhumba feel and at times more of country rock sound with the guitars right upfront...." "John Waenda" is about a widow whose husband died, leaving her no money to look after her children:


Born in the late '30s, Safirio Madzikatire ("Mukadota") became well-known as a comedian with his own radio program, "Mhuri Yekwa Rwizi." He soon transitioned to making music with various musicians, including the Brave Sun Band, led by his son Elijah, the Mukadota Family and this group, the Sea Cottage Sisters. In this song a man named Dickson apologizes to his girlfriend for letting her down and begs her to take him back:


In this song, a man named George leaves his long-time girlfriend for a nurse who buys him a car:


I'm not sure if there is any relationship between this Super Sounds and another group called the Ndolwane Super Sounds. In "Chipendani" a young man inherits a fortune from his father but soon squanders it. To survive he is forced to make his living as a herder:


A tribute to the late Jairos Jiri, founder of the Jairos Jiri Rehabilitation Centre, which has worked for six decades helping disabled individuals who have been abandoned by their families:


BBC Radio host John Peel described The Four Brothers band as "the best live band in the world." From 1977 to the early 2000s they were a mainstay of the Zimbabwe music scene, finally succumbing to the death or disablement of the founding members. There have been efforts to revive the group, with limited success. "Wapenga Nayo Bonus" decries the practice of people spending their yearly bonus unwisely:


"Katarina" was one of the biggest hits in Zimbabwe during the '80s. A young man desires to leave his home because everyone is jealous of his relationship with a beautiful dancer named Katarina. Later he decides he will ignore the gossip and stay at home:


Enjoy this video of Mukadota and the original "Katarina":


"Amayo" is in Chewa, a language spoken in neighboring Malawi. A young man objects to the woman his mother has picked for him to marry:


Download Take Cover! Zimbabwe Hits Vol. 1 as a zipped file here. Researching this post I found the book Roots Rocking in Zimbabwe by Fred Zindi (Mambo Press, Harare, 1985) very helpful. The translations of the lyrics are taken from the US edition of Take Cover! (Schanachie 43045, 1987).




Saturday, May 12, 2018

Happy Mothers' Day!



Nigerians are known for songs extolling their mothers, notably Prince Nico Mbarga's famous "Sweet Mother." In honor of Mothers' Day 2018, here is Mamma (Ivory Music IVR 057), a cassette by jùjú maestro Dayo Kujore, who was featured a few months ago on this blog. Enjoy!

Dayo Kujore - Toju Yeye / Iya Lolugbowo Mi / Omo Unmoti / Iya Mi Ose / Mother

Dayo Kujore - Fi Wa Jomi / Oruko Jesu / Awa De / Darling My Lover / Fans' Rhythm Special

Download Mamma as a zipped file here.

Sunday, May 6, 2018

Good-Time Gospel from Nigeria



Ọdun Nlọ Sopin, by the Good Women Choir, has been one of Likembe's most popular recent downloads, at least according to Mediafire. Now brace yourself for some more feel-good Yoruba gospel music from Nigeria, this time courtesy of Sister Dunni Olanrewaju, or as she is often known, "Opelope Anointing," after her biggest hit. 

Sister Dunni was born December 2, 1960, in Alabata, Oyo State. She was called to the gospel at an early age, as her father was a cathechist and her mother a Deaconess in Christ Apostolic Church. She began singing in the choir at age 9, and dropped out of secondary school to pursue her passion for music, much to the consternation of her mother. 

Adun-Igbeyawo was Dunni's first release, in 1988, but Opelope Anointing (see the video below) was the record that really made her a household name in 2000. In between there were five other recordings, including today's offering, the cassette Ayo Re Mbo (Premier Music LMC 010), which came out around 1996. The title track in particular combines gospel, highlife and a battery of talking drums in a way that that really gets the feat moving! Listening to it, you can understand why gospel is one of the most popular genres of music in southern Nigeria. I hope you'll enjoy it as much as I do.

Dunni Olanrewaju & Golden Voices - Ayo Re Mbo






Download Ayo Re Mbo as a zipped file here. Unfortunately the sound quality of this cassette is not the best. I hope you will agree with me that the quality of the music outweighs this technical limitation.



Monday, April 30, 2018

Let's Dance Kibushi!



Orchestre Les Hi-Fives, originators of the popular Kibushi sound, were one of many Congolese dance bands who, fleeing political turmoil, made their way east to Tanzania and Kenya. They were founded as Bana Kibushi Batano by Vicky Numbi in Lubumbashi, Congo. In 1965 they moved to Dar Es Salaam, Tanzania, and two years later to Mombasa to join the burgeoning Congolese exile music scene in Kenya. Here, like much of this cohort, they became as much a "Kenyan" group as a Congolese one.

Various problems, notably with residency permits, forced the band to break up some time in the late '70s or early '80s, and the members scattered to the four winds. Many years ago my friend Kenneth Chitika loaned me this album, Wanawachezea Mfululizo wa Kibushi (Philips PKLP 105, 1972), and I dubbed it to a 10" tape reel. Ten years ago I digitally ripped this in turn, and here it is! I got the sleeve and label art from Discogs, which was also the source for some of the information in this post.



Download Wanawachezea Mfululizo wa Kibushi as a zipped file here.


Wednesday, April 25, 2018

Return of the Sweet Talking Man



Last month I gave you A.B. Crentsil's great 1985 LP Toronto by Night, with a promise of more sophisticated sounds from the king of '80s Ghana highlife. Well, here they are! Tantie Alaba (Earthworks/Rough Trade ERT 1004, 1984) was recorded at the Ghana Film Studios in Accra, and has more of an "organic" sound than Toronto.

Researching this series of posts devoted to Ghana music from the '80s, I've been digging through my archives, compiled back in the days before the internet, and came across issue #5 of Africa Beat magazine, published in London in Summer of 1986. It contains a most informative article, "Sweet Talking Man," about Mr. Crentsil, then on a European tour:

The dramatic plunge in the value of the Ghanaian currency, the cedi, has thrown up some stories. One of the most heartbreaking is the virtual death of the Ghanaian recording industry. The price of imported basics, like guitar strings or vinyl, has killed off virtually every full-time touring professional band. Some put the number of survivors as low as three. 
One man who has survived all this and a lot more is A.B. Crentsil, the 36-year-old singer whose mid-1970s band Sweet Talks was a germinating ground for some of the strongest talents to emerge out of Ghana during the last ten years - the Sunsum Band, Eric Agyemang and Thomas Frempong among them. But the figures even he throws out so casually are terrifying. He starts off talking about how his second band the Lantics were stolen away from the Atlantic Hotel by an extra 25 cedi a month - "100 cedi a month was a lot and we were happy to go!," he chuckles. Now he talks about paying his bus driver 10,000 cedi a day, a week, a month, whatever it takes to keep him. 
Even more scaring is his account of the break-up of Sweet Talks in 1979 and the court battle to get money out of the manager of the Talk of the Town Hotel who owned the band's instruments and in a lot of ways seemed to own their souls as well. "In court we heard that Phonogram had paid him 5.4 million cedis. Out of that we had seen 68,000 cedis." Needless to say there were dark doings in the background and A.B. is not a rich man - but her survives. 
And away from the numbers, back to the music. Throughout the 1970s A.B. played in the best hotel bands in Ghana - first the El Dorados, performing funk, reggae and James Brown material, the usual songs known as "copyright." The there was the Lantics, again tied to a top hotel but this time getting away to record the first album, Adam & Eve [as the Sweet Talks] in 1975. They had been spotted playing in the hotel by Phonogram MD Arthur Tay who swept them off to the 16-track EMI studio in Lagos which was quite a jump from the two-track they had used for three 45s earlier. 
The 75-venue tour of Ghana which followed built Sweet Talks into one of the biggest bands in the land. Throughout the string of LPs that followed - Kusum Beat, Spiritual Ohaia, Osode - it was all up and up, closer to dangerous temptations that lay in wait when Phonogram Holland took them to Los Angeles' Total Experience studio to record the best-selling Party Time [Hollywood Highlife Party]. It was then that they discovered that their manager was using their money to send a Thunderbird back to Ghana. It was when they got back they discovered they were broke, and broke up....
Which brings us up to 1984, and Tantie Alaba, recorded with Mr. Crentsil's reorganized Super Sweet Talks International, and the first of his albums to receive modest international distribution. Here's a nice video someone made of the title track, utilizing footage that apparently has nothing to do with the song itself, but, I'm sure you'll agree, matches up very well indeed!


A.B. Crentsil & Super Sweet Talks International - Tantie Alaba

A.B. Crentsil & Super Sweet Talks International - Akpêtêchi Seller


A.B. Crentsil & Super Sweet Talks International - Odo

A.B. Crentsil & Super Sweet Talks International - Who is Free

Download Tantie Alaba as a zipped file here.


Friday, April 20, 2018

Augustin's Messengers



Augustin Kouassi is an Ivorian musician who's apparently been around the block a few times. Discogs lists a couple of LPs by his band, Les Messagers de la Paix, apparently from the '80s. Other than that, I can't say much more about him and the group. How many times have I had to say that here?

I got today's offering by them way back when it first came out, along with a raft of other cassettes from Ivory Coast, and didn't pay much attention to it then. Man, was I missing out! Mambo Attoh Théophane (Carine Musique CAR 01, 1993) is one of the most addictive recordings I've heard in a long time. Everything about it is first-rate, from Gaiten Kouao's exquiste guitar work to the outstanding vocals (different members take turns singing lead, and the chorus is tight). Of course, Congo music is an influence, and the vocals have that sweet-and-sour quality you hear in West African music from Ghana to the Niger Delta. I'm tempted to label it "Soukous-Highlife," but that just doesn't do it justice. Let the music speak for itself!

Augustin Kouassi & Les Messagers - Mambo Attoh Théophane

Augustin Kouassi & Les Messagers - Kêgbè Piemin

Augustin Kouassi & Les Messagers -  Yié Koubê

Augustin Kouassi & Les Messagers - Boto Sopie

Augustin Kouassi & Les Messagers - Adja Ayo

Augustin Kouassi & Les Messagers - N'Douci Carrefour

Download Mambo Attoh Théophane as a zipped file here.