We conclude our overview of DiscAfrique's Zimbabwe Hits compilations with Volume 3 of the series - Advance Kusugar! (DiscAfrique AFRI LP 006, 1988). Some of the biggest names of late '80s Zimbabwe music are here, and some lesser-known talents as well.
Jonah Moyo founded Devera Ngwena ("Follow the Crocodile") in 1979 to entertain the workers at Mashaba Asbestos Mine, which became their sponsor. Their combination of Congolese rumba and indigenous sounds immediately became a sensation, the group waxing numerous singles like "Solo na Mutsai," "Taxi Driver" and many others, including this offering, "Karekita"."What's your problem? Love can't be bought. It floats like the wind."
Explorations of the mbira, or thumb piano, by Master Chivero, about whom I've not been able to find anything. "Get on your bike and go after the sweet one. Marry her and do not lose her."
R.U.N.N. Family was made up of members of the Muparutsa family. The song is a tribute to the then-recently-departed President of Mozambique, who died in a plane crash under suspicious circumstances, probably the work of South Africa. He is compared to other African freedom fighters: "Someone keeps stirring and heating the pot. [Herbert] Chipeto, [Steve] Biko and now Samora Machel. They kill our friends. We can only pray to God and remember the inheritance of Samora Machel. Our life is the struggle."
Here are the Jairos Jiri Band, whom we remember from Take Cover!, the first volume of Zimbabwe Hits. "Chiedza is so beautiful. Her face is like a snake's egg. The sun is rising and she is my morning. I love her and will marry her."
More friends from Take Cover! "Business in town. 'Father, my business has failed. I do not want to steal. I will join the service economy. The gift of business, alas, I did not have it."
"Speak! Talk! Say what you have to say. The disadvantages of polygamy. How many women can you offer the sun and moon? How many wedding dresses will you spin from the flowers and trees? Will they believe you and how do you expect to be treated? Hell hath no fury like a woman spurned."
Download Advance Kusugar! as a zipped file here. Researching this post I found the book Roots Rocking in Zimbabwe by Fred Zindi (Mambo Press, Harare, 1985) very helpful. Descriptions of the songs were provided by the liner notes of Advance Kusugar!.
We continue our exploration of the rockin'sounds of '80s-era Zimbabwe with Goodbye Sandra, the second volume of the Zimbabwe Hits series (DiscAfrique AFRILP 05, 1988). In contrast to the first outing in the series, this one features only four artists, but they're all great. Let's go!
We remember John Kazadi from Volume One of Zimbabwe Hits -Take Cover!John was originally from Lubumbashi, Congo, and here covers the lovely song "Le Bucheron" by the Congolese singer Franklin Boukaka. "Evoking the ancestors and those who died for liberation. It's time to enjoy the fruits of freedom and rejoice.":
Many reading this need no introduction to Oliver Mutukudzi. Apart from Thomas Mapfumo, he's probably the best-known Zimbabwean musician in the world, and no wonder - his deep, soulful voice is unparalleled. "Nzara" recounts the hunger and suffering during a drought:
During the Zimbabwe War of Liberation musician Simon Chimbetu fled into exile in Tanzania, where he joined the Zimbabwe African National Union and entertained its troops in exile. Shortly after Independence he joined with his brother Naison to form the Marxist Brothers. The brothers split in 1988, Simon forming the Dendera Kings and Naison forming the Gee 7 Commandos. In "Goodbye Sandra" the singer is bidding adieu to his foreign girlfriend and returning home to Zimbabwe:
The Sungura Boys were the band of John Chibadura (John Nyamukoko). Chibadura was born in 1957. Orphaned at an early age and forced to abandon his schooling, he worked a number of menial jobs before distinguishing himself on the guitar and founding the Holy Brothers with his friend Shepherd Chinyani. After a number of personnel and name changes the group became the Sungura Boys. At some point (either 1983 or 1985) John left to form his own band, the Tembo Brothers. Sadly, John Chibadura died in 1999. "Soweto" is "a song about suffering, pain, hardship and death in the struggle for freedom":
"Tungamira" is about a young friend "who dies without a chance to say goodbye. He is asked to lead the way to heaven (or peace)." I will be posting more music by Oliver Mutukuzi on Likembe in the future:
A sarcastic song about Abel Muzorewa's hapless "Zimbabwe/Rhodesia" regime, which held sway for only a few months before Independence in 1980. "How can a country possess two names?" I will be posting more music by John Chibadura on Likembe in the future:
Download Goodbye Sandra as a zipped file here. Researching this post I found the book Roots Rocking in Zimbabwe by Fred Zindi (Mambo Press, Harare, 1985) very helpful. Descriptions of the songs were provided by the liner notes of Goodbye Sandra.
Take Cover! Zimbabwe Hits Vol. 1 (DiscAfrique AFRI LP 01, 1986), and its sequels, Goobye Sandra: Zimbabwe Hits Vol. 2 (DiscAfrique AFRI LP 05, 1988) and Advance Kusugar! Zimbabwe Hits Vol. 3 (AFRI LP 006, 1988) capture a magic moment in African music - the optimistic years immediately after Zimbabwean independence in 1980. Thomas Mapfumo and the Bhundu Boys are familiar artists from this period, but these collections highlight musicians who aren't as well-known outside of Zimbabwe. I'm pleased to offer Take Cover! today, with the other two volumes to follow soon.
The Jairos Jiri Band has been one of the leading musical congregations of independent Zimbabwe. It is the official orchestra of the Jairos Jiri Rehabilitation Centre, which for six decades has worked to to rehabilitate and integrate into society Zimbabweans with disabilities. All of the members of the band are "disabled" in one way or another, and Paul Matavire, who led the group for a number of years, was blind. Matavire left the band in 1995 and died in 2005. Following a period of inactivity, the Jairos Jiri Band was recently revived under the leadership of Stewart Njodo."Take Cover" refers to the privations Zimbabweans suffered during the bitter struggle against white minority rule:
Ephat Mujuru (1950-2001) was well-known to African music aficionados in the US, particularly in the Pacific Northwest, where he was resident for many years at the University of Washington in Seattle, lecturing and teaching the mbira (thumb piano). Mujuru founded his first musical group, Chaminuka, in 1972, renaming it Spirit of the People after the fall of the Rhodesian regime in 1980:
The Family Singers, led by Jonathan and Shuvai Wutawunashe, were a leading Zimbabwean gospel group of the '80s. "Tarira Nguva," their first single and a smash hit, shows the clear influence of American country-western music. Shuvai Wutawanashe sings, "All Christians must work hard to uphold Christianity, as the devil is working hard to destroy us.":
The O.K. Success had their origins in Congo, but since their arrival in the former Rhodesia in 1960 they have become thoroughly Zimbabwean, both in personnel and in the subject matter of their music. The lead singer of "B.P.," James Chimombe, got his start with Thomas Mafumo's Acid Band before moving on to O.K. Success, and later recording with the Huchi Band and Ocean City Band. In 1990 he became the first prominent Zimbabwean musician to die of AIDS. The lyrics: "To err is human my friend. We all make mistakes at some stage in our lives":
Over on the Electric Jive blog Tony Hunter describes his first encounter with Africa Melody: “...I had a friend who lived in Kwe Kwe and I stayed with his family. There was a band that’s sound captivated me. Africa Melody was led by a guy called John Kazadi who I think came from Lubumbashi [Congo]. The few references to the band describe it as sungura music but to me it had less of rhumba feel and at times more of country rock sound with the guitars right upfront...." "John Waenda" is about a widow whose husband died, leaving her no money to look after her children:
Born in the late '30s, Safirio Madzikatire ("Mukadota") became well-known as a comedian with his own radio program, "Mhuri Yekwa Rwizi." He soon transitioned to making music with various musicians, including the Brave Sun Band, led by his son Elijah, the Mukadota Family and this group, the Sea Cottage Sisters. In this song a man named Dickson apologizes to his girlfriend for letting her down and begs her to take him back:
I'm not sure if there is any relationship between this Super Sounds and another group called the Ndolwane Super Sounds. In "Chipendani" a young man inherits a fortune from his father but soon squanders it. To survive he is forced to make his living as a herder:
A tribute to the late Jairos Jiri, founder of the Jairos Jiri Rehabilitation Centre, which has worked for six decades helping disabled individuals who have been abandoned by their families:
BBC Radio host John Peel described The Four Brothers band as "the best live band in the world." From 1977 to the early 2000s they were a mainstay of the Zimbabwe music scene, finally succumbing to the death or disablement of the founding members. There have been efforts to revive the group, with limited success. "Wapenga Nayo Bonus" decries the practice of people spending their yearly bonus unwisely:
"Katarina" was one of the biggest hits in Zimbabwe during the '80s. A young man desires to leave his home because everyone is jealous of his relationship with a beautiful dancer named Katarina. Later he decides he will ignore the gossip and stay at home:
Download Take Cover! Zimbabwe Hits Vol. 1 as a zipped file here. Researching this post I found the book Roots Rocking in Zimbabwe by Fred Zindi (Mambo Press, Harare, 1985) very helpful. The translations of the lyrics are taken from the US edition of Take Cover! (Schanachie 43045, 1987).
Nigerians are known for songs extolling their mothers, notably Prince Nico Mbarga's famous "Sweet Mother." In honor of Mothers' Day 2018, here is Mamma (Ivory Music IVR 057), a cassette by jùjú maestro Dayo Kujore, who was featured a few months ago on this blog. Enjoy!
Ọdun Nlọ Sopin, by the Good Women Choir, has been one of Likembe's most popular recent downloads, at least according to Mediafire. Now brace yourself for some more feel-good Yoruba gospel music from Nigeria, this time courtesy of Sister Dunni Olanrewaju, or as she is often known, "Opelope Anointing," after her biggest hit.
Sister Dunni was born December 2, 1960, in Alabata, Oyo State. She was called to the gospel at an early age, as her father was a cathechist and her mother a Deaconess in Christ Apostolic Church. She began singing in the choir at age 9, and dropped out of secondary school to pursue her passion for music, much to the consternation of her mother.
Adun-Igbeyawo was Dunni's first release, in 1988, but Opelope Anointing (see the video below) was the record that really made her a household name in 2000. In between there were five other recordings, including today's offering, the cassette Ayo Re Mbo (Premier Music LMC 010), which came out around 1996. The title track in particular combines gospel, highlife and a battery of talking drums in a way that that really gets the feat moving! Listening to it, you can understand why gospel is one of the most popular genres of music in southern Nigeria. I hope you'll enjoy it as much as I do.
Download Ayo Re Mbo as a zipped file here. Unfortunately the sound quality of this cassette is not the best. I hope you will agree with me that the quality of the music outweighs this technical limitation.