Pumped-Up Makossa

As the title would have it, Turbo-Hits '89 (Editions Haïssam-Records MH 112, 1989) is a collection of remixed makossa (and a couple not-so-makossa) tracks from the house of Gabonese producer Moussa Haïssam.

Hilarion Nguema from Gabon leads off this set with an instrumental version of his tune "SIDA." Nguema is one of the biggest stars Gabon has produced, starting out with Orchestre Afro-Succès in the '70s before becoming a solo artist in the '80s.

Ben Decca from Cameroun has been on the music scene for 40 years and has recorded 25 albums and numerous singles. He is considered a paragon of the makossa sound and is the oldest of a musical family, including Grace Decca, who has also made quite a career for herself.

Dina Bell was a leading light of the Camerounian makossa scene in the '80s, scoring his first hit, "Yoma Yoma," in 1979. In the '90s his output slowed and he hasn't been heard from recently.

Moussa Haïssam was a leading producer of Camerounian music in the '80s and contributes the instrumental "Ipanema" here. His native country, Gabon, is not well known for its musical output, but wields an outsize influence across the continent and around the world through the pan-African radio station Africa No. 1. It can be heard on shortwave and online here.

Hilarion Nguema - SIDA (Instrumental)

Ben Decca - Amour a Sens Unique

Ben Decca - Tumba Longo

Moussa Haïssam - Ipanema

Dina Bell - Dilango Longo

Hilarion Nguema - Okone Yanem

Dina Bell - Muendi Mu

Download Turbo-Hits '89 as a zipped file here. The track listings on the album sleeve are inaccurate. I've followed the track listing on the label.

l'ANPAC Presente: Vol. 1

The small country of Gabon has never loomed large in the African music scene, although artists like Pierre Akendengue and Oliver N'goma have certainly made their mark. Back in the 1980s, though, the Libreville radio station Africa No. 1 and its powerful signal ruled the African airwaves, and along with Gabon's first modern recording studio, Mademba, founded around the same time, brought increased attention to musicians from the country.

Africa No. 1 was the inspiration of Gabonese President-for-life Omar Bongo, who apparently sought to use his country's oil wealth to raise its prestige in the world. Another Bongo initiative, l'Agence National de Promotion Artistique et Culturelle (ANPAC), in 1984 issued a three-volume series of recordings, l'ANPAC Presente, showcasing a number of popular musicians of the decade.

I can't tell you much about the musicians on Vol. 1 (ANPAC AN 400 1), presented here, or on Vols. 2 and 3, which will follow shortly. Hilarion Nguema, the best known of these, founded Orchestre Afro-Success in the early '80s and scored a number of hits, notably 1988's Crise Economique. The Wikipedia entry for Jean-Boniface Assélé describes a politician and brother-in-law of Omar Bongo, but makes no mention of a musical career, which leads me to question if they are indeed the same person (see update below). The other artists draw a complete blank on Google.

I think you will agree with me that these mellow sounds have congruences with the music of Congo and Cameroun, with some unique local touches. Enjoy!

Hilarion Nguema - Collé, Collé

Marcel Djabioh - Mwa Nkala

Jean-Boniface Asssélé - Joie de Vivre

Itsiembu Bi-Mbin - Monde Nouveau

Jo-Man Anguilet - Iwengi Sono

Download l'ANPAC Presente Vol. 1 as a zipped file here. There's an interesting coda to the story of Africa No. 1. The radio station left the airwaves for a number of weeks earlier this year, apparently a result of the political crisis and civil war in Libya. Libyan Jamahiriya Broadcasting was a 52% shareholder, and when Libya's assets were frozen, the station was unable to pay its bills. You can read the story here and here.

My apologies for Likembe's three-month hiatus, by the way. A lot of personal issues intervened, but I hope to keep things going on a more regular basis from now on.

Update: Thanks to commenter Peter for confirming that the Jean-Boniface Assélé of this LP and the one described in Wikipedia are indeed one and the same.