For many months now I've put off posting this in an effort to find out more about our featured artist, Bob Sir Merenge. Unfortunately, I can't say I've found out much. I can tell you that he is one of innumerable traditional Igbo musicians who have released recordings, sometimes to great acclaim, sometimes without making any ripples at all. I would say that Merenge's efforts have not gone totally unnoticed (I have a couple more records by him) but haven't drawn much attention outside of a small area of eastern Nigeria (and the Igbo diaspora, of course).
The second thing I can tell you about Bob Sir Merenge is that he is from the town of Uli in southern Anambra State. Uli is a fairly nondescript down on the Onitsha-Owerri Highway, but during the Biafran War (1967-70) the airstrip at Uli was literally a lifeline for the embattled rebel enclave, all sea access to the nascent Biafran republic having been lost early on (the map is from John de St. Jorre's The Nigerian Civil War [Hodder & Stoughton, 1972]):
Anyway, Bob Sir Merenge's album Eze Nwanyi (Okoli Music Co. OFC 4) is about as representative and fine an example of Igbo traditional music as you'll find (in the near future I'll be posting Show Promoter's LP Azu Alala, which is also an excellent example of the genre).
Eze Nwanyi begins with an elegy entitled "Ugbo Ezeh," "The Chief's Lorry." It tells the tale of Asampete, who was married for 20 years but was unable to conceive - the couple had money but no child. When she finally got pregnant Asampete was the object of cruel gossip by the villagers, who whispered that she was either sick or had slept with another man. When she finally gave birth to a daughter, her husband was very disappointed and beat Asampete. Finally she took her daughter and went to live with her mother.
Asampete's daughter grew up to be very beautiful, but one day the villagers came running to inform Asampete that she had been struck and killed by one of the fleet of trucks owned by the village chief. The chief told her to wait until the lorries came back from Asaba to see which one killed her daughter. Asampete wailed that she had no husband and now had no daughter. She went with a rope to the tree to hang herself but one of the villages stopped her. Asampete asked God how He could let this happen:
I wouldn't be surprised if "Ugbo Ezeh" was based on a true story, as are many songs of this type. The song, along with the others on Eze Nwanyi, also ably displays the various instruments in the arsenal of Igbo music: the opi (horn), the ogene (twin bell), udu (pottery drum), ekwe (slit drum), ashakala (beaded gourd), and samba (square drum).
"Ude Ndi Egwu" also concerns people who wish to become parents. A woman is praying to God to give her a child while she is still young. The singer expresses that while many wish for children, those who already have them often complain of the trouble they bring:
"Ude Ndi Egwu" also concerns people who wish to become parents. A woman is praying to God to give her a child while she is still young. The singer expresses that while many wish for children, those who already have them often complain of the trouble they bring:
The title track, "Eze Nwanye," relates the "Mami Wata" legend, which, in different forms, can be found throughout Africa and the diaspora. The invocation at the beginning of the song states, "Ekene kene eze nwanyi," "Greetings to the Queen, our mother, the mother of the waters." The song further asks for her divine protection: "Great praise to the Queen, the one who lives in the ocean, the most beautiful, the lady of all ladies, we are asking for your protection sailing on oshimiri (the deep sea). When you bless us we will have a good life."The choruses, "Onye o gaziri orie" and "Uwa e, uwa bu ogaziere onye orie" mean, respectively, "Whoever gets the blessing enjoys life" and "If you are blessed you will enjoy this world."
Bob Sir Merenge & his Igbo Cultural Singers - Eze Nwanyi
"Onwu Bu Onye Ilo" ("Death is the Enemy in this World") is a standard praise song, a tribute to those who have passed on. At the beginning a man is crying, and his comrades console him, saying "Uwa anyi no aburo nbe anyi," "This world is not our home." The singer recites the names of the fallen, preceded by the phrase "Onwu gburu ogaranya" ("Death killed a great man") and followed by the chorus "Amaghi m onye irom" ("I don't know my enemy"):
Bob Sir Merenge & his Igbo Cultural Singers - Onwu Bu Onye Ilo
Download Eze Nwanyi as a zipped file here. Many thanks to my wife Priscilla for interpreting these songs.
"Onwu Bu Onye Ilo" ("Death is the Enemy in this World") is a standard praise song, a tribute to those who have passed on. At the beginning a man is crying, and his comrades console him, saying "Uwa anyi no aburo nbe anyi," "This world is not our home." The singer recites the names of the fallen, preceded by the phrase "Onwu gburu ogaranya" ("Death killed a great man") and followed by the chorus "Amaghi m onye irom" ("I don't know my enemy"):
Bob Sir Merenge & his Igbo Cultural Singers - Onwu Bu Onye Ilo
Download Eze Nwanyi as a zipped file here. Many thanks to my wife Priscilla for interpreting these songs.
