Brother Charlly Computer & his Friends

Reader/listener Tim Clifford has a big interest in East African music and is responsible for two of the best installments in Matsuli's late, great "African Serenades" series. Tim's working on a detailed discography of East African music and I was happy to pass on to him a listing of titles in my collection. In response to one of these, he wrote, ". . .I can't wait for you to post the single by Brother Charlly Computer and the Gloria Kings as it just might be the best band name ever!"

Of course, I agree. I'm happy to post Brother Charlly, and why don't we listen to a few more Kenyan 45s while we're at it? Most of these are from around the same period, the early to middle '80s, and they are among the last singles pressed in that country (record piracy pretty much killed the format within a few years).

I know absolutely nothing about Brother Charlly and his band. They apparently didn't make many waves, but "Goodbye Hully!" and "Achieng Born-Zo" (Brother Charlly BRO 1) are prime examples of the benga sound, then at the peak of its popularity:

Brother Charlly Computer & the Gloria Kings - Goodbye Hully!

Brother Charlly Computer & the Gloria Kings - Achieng Born-Zo

One thing the Victoria "B" Kings cannot be accused of is being one-hit wonders. Together with D.O. Misiani's Shirati Jazz they were the foremost proponents of benga in its salad days. The Mighty Kings of Benga (Globestyle CDORBD 079, 1993) is a great collection of their 45s. Here are two side of a single (Pamba Oluoro Chilo PAC 14) that is not on that release:

Victoria "B" Kings - Leo Odondo Mak-Awiti

Victoria "B" Kings - Wabed Gi Hera Chuth

Barrier 4's version of benga (this example being Elimu ELM 06) is somewhat more subdued than the above examples, and is also in Swahili rather than Luo:

Barrier 4 - Gharama Haihesabeki Pts. 1 & 2

I understand that the Mombasa Roots Band are one of those Kenyan groups that cater primarily to the tourist trade. Here's their infectious update of the coastal chakacha style (Polydor POL 561):

Mombasa Roots Band - Disco Cha-Ka-Cha Pts. 1 & 2

Malako, recorded by Samba Mapangala & Orchestra Virunga in the early '80s, is rightly considered an African classic (it was reissued in 1990 as Virunga Volcano [Sterns/Earthworks CDEWV 16]). Mapangala, who is originally from the Congo, had a thriving career in East Africa throughout the decade. Around 1990 he left for greener pastures abroad, first in Paris and more recently in the U.S. Sadly, his more recent efforts, recorded with Congolese expatriates, lack the spark of his earlier recordings. "Kweya" (Editions Virunga EDV 005) represents him at the peak of his Kenyan success. Even the cheap-sounding drum machine (something I normally abhor) is in good form here:

Samba Mapangala & Orchestra Virunga - Kweya Pts. 1 & 2

To close out, let's journey about ten years earlier than the previous records. Gabriel Omolo & the Apollo Komesha's record "Lunch Time" not only received a gold disc in Kenya in 1973, it was a smash throughout Africa. Here's the B-side of the Nigerian pressing (Philips West Africa APL 7-618). And if you want to hear "Lunch Time," you can get it on Kenya Dance Mania (Sterns/Earthworks STEW 24CD):

Gabriel Omolo & the Apollo Komesha - Tutakula Vya Ajabu



Update: Tim Clifford's two "African Serenades" compilations are available again, for a limited time, here. Get 'em while they're hot!

Update 2: They're already gone. Sorry!

East African Memories

Well, not my memories, as I've never been there, but today's selection of tunes is bound to provoke some nostalgia among those of the East African persuasion. As in my last post, these 45s, which were all issued in the early '80s, were excavated by myself from a cache of 10" tape reels that I dubbed more than twenty years ago, digitized and reprocessed for your listening pleasure. I think I got all of these recordings from my old friend Edmund Ogutu. Wherever you are, Edmund, thanks!

Sadly, Daniel Owino Misiani, founder of the influential Kenyan band Shirati Jazz (also known as the D.O. 7 Band and D.O. 7 Shirati Jazz), passed away on May 17, 2006, but he left a legacy of hundreds of memorable tunes. While Misiani and Shirati Jazz did not establish benga music, they did more than anyone else to popularize and codify that musical style.

"I'm Tired" (Bwana Otieno Weche PIC 3) is not at all representative of the Shirati Jazz style. It's a novelty tune, sung in Swahili and English rather than the group's usual Luo. I think that D.O. Misiani might not even be on it (the group occasionally recorded without him). In the future I'll probably post some more "typical" Shirati Jazz songs, but I'm sure you'll enjoy this one:

D.O. 7 Shirati Jazz - I'm Tired Pts. 1 & 2



The Maroon Commandos (above) were established by Habel Kifoto (center) as a military band from the 7th Batallion of the Kenyan Army, and are best known for their smash hit "Charonyi Ni Wasi," which was featured on the compilation CD Kenya Dance Mania (Sterns Eathworks STEW 24CD). The Commandos usually record in Swahili, but "Liloba" (African Beat PA 7226), which features Laban Ochuka on lead vocals, is sung in Luhya:

Laban Ochuka & the Maroon Commandos - Liloba Pts. 1 & 2

Tanzanian singer Issa Juma was a founding member of the group Les Wanyika in 1978, and graced their smash hit "Sina Makossa" (also available on Kenya Dance Mania) as lead vocalist. He soon split off from that group to form his own band, variously entitled Waanyika, Wanyika Stars, Super Wanyika, Wanyika Super Les Les etc. "Ateka" (Waanyikaa NYIKA 09), is an outstanding example of his work:

Issa Juma & Waanyika - Ateka Pts. 1 & 2

Les Volcano were originally the backup band for Tanzanian vocalist Mbaraka Mwinshehe. When he was killed in an auto accident in 1979, they continued under the leadership of Charles Ray Kassembe, and made a number of outstanding recordings, including "Uhangaika Bure" (Superphonics BOY 002):

Les Volcano - Uhangaika Bure Pts. 1 & 2

The Luhya people of western Kenya have produced a number of outstanding musicians, but the most renowned is probably Sukuma Bin Ongaro, who contributed a couple of tunes to the compilation Guitar Paradise of East Africa (Sterns Earthworks STEW 21), a few years back. Listen to "Mukamba Leya" (Upendo UPP 7-644) and you'll understand the reason for his popularity:

Sukuma Bin Ongaro & Sukuma Band - Mukamba Leya

The picture at the top of this post is from the Shirati Jazz release Benga Beat (World Circuit WCB 003, 1987).

Oh, and Happy New Year!