Here, as promised, is Elimbi na Ngomo (Production TN, TN 591), Toto Guillaume's 1985 LP that is rightly considered a monument of the makossa genre. I agree that it's a masterpiece, but pride of place as Guillaume's "best" recording belongs, in my humble opinion, to Makossa Digital (Disques Esperance ESP 8404, 1983), which I posted here earlier. That said, there's little doubt that the title track, "Elimbi na Ngomo," is one of Toguy's most popular songs, remembered fondly by all Camerounians of a certain age.
Elimbi na Ngomo, makossa for the ages. Enjoy!
Toto Guillaume - Elimbi na Ngomo
Toto Guillaume - Bulu
Toto Guillaume - Raison
Toto Guillaume - Eh Oa
Toto Guillaume - Mulalo
Toto Guillaume - Ngila Nama
Download Elimbi na Ngomo as a zipped file here.
Monday, June 28, 2010
The Return of Toguy
Posted by John B. at 12:33 AM 4 comments
Labels: Cameroun, Douala, Makossa, Toto Guillaume
Friday, June 25, 2010
Another Re-Up
Occupying a location somewhere near the intersection of Afrobeat, Juju and garage rock, the album Uhuru Aiye by Bob Ohiri and his Uhuru Sounds (Ashiko Records AR 001, ca. 1985) is often rumored but seldom heard. A track from it appears on the new collection Nigeria Afrobeat Special (Soundway SNWCD021), so it's worth taking a closer look.
Bob Ohiri was a guitarist with Sunny Adé's African Beats and is said to have briefly played with Fela's Africa '70, although I can't confirm that. The "Uhuru Sounds" were apparently a one-off - basically just some guys jamming in the recording studio. The only members credited on the sleeve are "Prince," "Bob" and "Shegun."
So what to make of the music? Uhuru Aiye is truly an odd and idiosyncratic amalgam - like no "World Music™" or "Afrobeat" or "Afrofunk" you've ever heard. It doesn't always succeed, but when it does it works very well.
Like my previous posts "Unknown Fela," Uhuru Aiye was originally contributed by me to Uchenna Ikonne's blog With Comb and Razor. It went off-line a while back, so I thought I'd make it available again.
Bob Ohiri & his Uhuru Sounds - Ariwo Yaa
Bob Ohiri & his Uhuru Sounds - Obhiha
Bob Ohiri & his Uhuru Sounds - Aiye
Bob Ohiri & his Uhuru Sounds - Nigeria London na Lagos
Bob Ohiri & his Uhuru Sounds - Imo State Express
Bob Ohiri & his Uhuru Sounds - Africa is Free for Us
Bob Ohiri & his Uhuru Sounds - I Like to Be Free
Download Uhuru Aiye as a zipped file here.
Thursday, June 24, 2010
The Down-Home Sounds of Kakai Kilonzo
Major players in the '70s and '80s music scene in Kenya, Kakai Kilonzo and his band the Kilimambogo Brothers were one of the few benga groups whose popularity crossed tribal lines. It helped that they recorded in Swahili as well as their native Kamba language, but the quality of their musical output no doubt played a major role as well.
Kilonzo's beginnings in life were modest indeed. His daughter Anita Kilonzo writes:
Kilonzo's talents as a musician soon won him renown. He recorded "Kaylo Kyakwa na Mary" in 1974 and with the Kilimambogo Brothers scored many hits like "Baba Mkwe," "August One" and "Mama Sofia." Many of these recordings are collected in two CDs, Best of Kakai Vol. 1 (Shava Musik SHAVACD011-2, 2002) and Best of Kakai Vol. 2 (Shava Musik SHAVACD017, 2006) and an LP that was released in 1987, Simba Africa (Popular African Music PAM 03). As far as I can tell, these compilations are all out of print.
Kakai Kilobzo was born in1954 at Kilimambogo in Machakos district. He attended Primary education at Kilimambogo in 1962 to 1965. He definitely did not finish it because of lack of school fees. Kakai then sought for cheap labour like herding in to help his poor family. These continued for a duration of five years.
In 1970 he was employed in Thika town at farms that dealt with pineapple plantations as a harvester.
While in Thika, Kakai made single stringed guitars which were made of tin, due to his interest in music. He played then during his leisure time in the farms. Through his peanut earnings he managed to by a box guitar. He used to entertain local people at night during his off-time; which is termed as Tumisonge in Kamba.
Well before his time, Kakai Kilonzo passed away in 1987 after a brief illness. His presence in the Kenyan music scene is sorely missed.
Many years ago I dubbed onto 10" tape reels a number of 45s by Kakai Kilonzo and the Kilimambogos, and was recently able to digitize them. None of these are on any of the above-referenced pressings. Except for "Christmas Day," which is in Swahili, these records are all in Kamba. For the most part I have no idea what the lyrics are about, but I presume that they deal with the usual subjects of Kenyan popular music: Family matters, love and harvests. It is benga, the music of Kakai Kilonzo and artists like him, that is the true voice of Kenya's rural majority - blunt and straightforward, real Kenyan "country music."
Here's a recording from the late '70s or early '80s, the A & B sides of Kakai Kilonzo Sound KLZ 7-002:
Kakai Kilonzo & Kilimambogo Brothers Band - Kithetheesyo Ki Muka
Kakai Kilonzo & Kilimambogo Brothers Band - Katuli Lungi
Les Kilimambogo LES 007:
Les Kilimambogo Brothers - Mutwawa Niwatwana
Les Kilimambogo Brothers - Mathitu Mowe
Les Kilimambogo LES 08:
Les Kilimambogo - Ngungu Na Muoi
Les Kilimambogo - Kilinga Munguti
The Kilimambogos celebrate the birth of Christ on Les Kilimambogo LES 16:
Les Kilimambogo - Christmas Day Pts 1 & 2
Hear another Kilimambogo Christmas song here. Here are the A & B sides of Les Kilimambogo LES 17:
Les Kilimambogo - Sera Ndungembeti
Les Kilimambogo - Ngomelelye Kitambaasye
Let's close with the Swahili sounds of the Original Kilimambogo (OKB) Stars. The OKB Stars were formed in 1978 when Joseph Mwania left the Kilimambogo Brothers Band to form his own group. This recording was issued as New Mwania Sound NEW 108:
Joseph Mwania & the Original Kilimambogo (OKB) Stars - Mama Sheria Pts 1 & 2
For more rustic, down-home Kamba sounds, go here. Download the songs in this post as a zipped file here.
Posted by John B. at 6:24 PM 6 comments
Labels: Benga, Kamba, Kenya, Kilimambogo Brothers, Original Kilimambogo Stars, Swahili
Friday, June 4, 2010
Mensy's "New Sounds"
For many years I've wanted to know the identity of the Camerounian group Mensy, whose scorching tune "Ane Ya" opened up the 1982 compilation LP Sound d'Afrique II (Mango MLPS 9754).
I'm sorry to say that 28 years of research have turned up nothing about Mensy, but many moons ago I was thrilled to discover a whole LP by the group in a long-lost African record store in DC. New Sounds of Africa Vol. 1 (Discafrique DARL 021) contains not only a longer, uncut version of "Ane Ya" but three more slices of Afro-funk that make your typical deracinated World Music™ sound like nursery rhymes!
As the LP sleeve contains no recording information at all I wish I could tell you who the nimble guitarist on "Ane Ya" is or who's responsible for the brilliant horn work of "Sotuc." I'll just have to let you hear for yourself. Enjoy!
Mensy - Ane Ya
Mensy - Dis-Le Moi
Mensy - Mari Na
Mensy - Sotuc
Download New Sounds of Africa Vol. 1 as a zipped file here.
Posted by John B. at 7:04 PM 10 comments
Tuesday, June 1, 2010
A Musicians' Musician
Back in the 80s Toto Guillaume ("Toguy") was a ubiquitous session musician on recordings coming out of Cameroun. The great guitarist and arranger first made a splash in the '70s alongside François Nkotti and Emile Kangue in the influential group Black Styl. His first solo hit "Françoise" was released in 1974, followed by "Mba Na We" in 1975. Together with the bassist and producer Aladji Touré, Manu Dibango, Emmanuel Nelle Eyoum and others, Guillaume played a pivotal role in crafting the modern makossa sound based on the traditional rhythms of the Douala region.
Among his albums, Toguy's 1985 release Elimbi na Ngomo (TN Productions TN 591) is justly famed, but I've always had a soft spot for 1983's Makossa Digital (Disques Esperance ESP 8404), with its lush strings and brilliant arrangements. A true pinnacle of makossa!
Makossa began to fade in the late '80s, a victim of its own formulaic sound, but for a time it was Congo music's main rival for the affections of African music fans. Toto Guillaume too dropped out of sight around this time, but I understand he's been making a comeback in recent years.
Enjoy Makossa Digital, and I promise I will make Elimbi na Ngomo available also sometime in the future:
Toto Guillaume - Mundende Mwa Bedimo
Toto Guillaume - Mulema Mwa Muna
Toto Guillaume - Bata Ba Nunga
Toto Guillaume - Paï 'a Nyambe
Toto Guillaume - Ewes' Am
And, because Makossa Digital, like most Camerounian releases of the era, is much too short, here's a "bonus track" from 1983's wonderful 3-disc compilation Fleurs Musicales du Cameroun (Afrovision FMC 001/002/003):
Toto Guillaume - Seto Nyola
Download Makossa Digital (+ "Seto Nyola") as a zipped file here.
A technical note: I haven't been posting many vinyl rips here lately because the stylus on my turntable was way past its expiration date, and I didn't want to harm my treasured old LPs. But listening to Makossa Digital and other rips I've made since getting a new stylus it's apparent how much sound quality I had been sacrificing with that old needle as well. I'd like to re-rip and re-upload much of the old material but that's obviously going to take a while. In the meantime I'd appreciate your input. When I processed Makossa Digital I tweaked the high frequencies upwards just a little bit as it seemed to add a fair bit of clarity to the sound. However, I'm aware that my hearing is not what it used to be, and what sounds fine to me may be hopelessly screechy to others. So, let me know. Input from people with a background in audio engineering is especially appreciated.
Posted by John B. at 6:27 PM 1 comments
Labels: Cameroun, Douala, Makossa, Toto Guillaume
Sunday, May 9, 2010
More Live Youssou
As promised, here is another "live" recording by Youssou N'Dour & le Super Etoile de Dakar, the cassette Live Olympia (Productions SAPROM), recorded in Paris and released in 1991.
Live Olympia finds Youssou & the band in the more simplified mode they exhibited, at least in the international market, after achieving world fame in the mid '80s. The music is "catchier" and the performances shorter and less complex than in the earlier Jamm La Paix. Still, this is a recording well worth listening to, with a nice rendition of "Immigrés" and interesting alternate versions of some other Super Etoile hits.
Youssou N'Dour & le Super Etoile de Dakar - Sabar
Youssou N'Dour & le Super Etoile de Dakar - Bamako
Youssou N'Dour & le Super Etoile de Dakar - Immigrés
Youssou N'Dour & le Super Etoile de Dakar - Xaley Rew Mi
Youssou N'Dour & le Super Etoile de Dakar - Medina
Youssou N'Dour & le Super Etoile de Dakar - Jaam
Download Live Olympia as a zipped file here.
Posted by John B. at 12:20 PM 4 comments
Labels: Mbalax, Senegal, Wolof, Youssou Ndour
Saturday, May 8, 2010
Live Youssou
Thanks to Aduna for posting Show!!! A Abidjan (1983), a rare live LP by Senegal's Youssou N'Dour. I was inspired to post a couple of live recordings by him myself, starting with the cassette Jamm La Paix (Productions SAPROM).
Posted by John B. at 8:25 PM 9 comments
Labels: Mbalax, Senegal, Wolof, Youssou Ndour
Saturday, April 3, 2010
The Best of Thione Seck
This week I'm embarking on yet another Spring Break College Tour, this time with my younger daughter Ify. As you may recall, the last couple of times I did this with my other daughter Aku we were able to pick up some nifty Senegalese sounds from a somewhat disreputable storefront on 116th St. in New York City.
Unfortunately we won't be making it out East this time around (maybe next year), but I did want to pass on something I picked up on one of those earlier trips. Best of Thione Seck is not an "official" pressing, but it should be, gathering as it does some of the best tunes from Seck's cassette releases.
Thione Seck himself is rather well-known to African music aficionados thanks to the release in 2005 of his album Orientation (Sterns STCD 1100). He came to notice in Senegal in the late '70s as a vocalist for the legendary Orchestre Baobab, but soon left to form his own roots-orienteed ensemble Le Raam Daan ("Going Slowly Toward Your Goal"). Today he is considered one of the greatest Senegalese vocalists of all time. I featured a few tracks from Best of Thione Seck in an earlier post, but I'm sure you'll appreciate it in its entirety.
Thione Seck & le Raam Daan - Dieuleul
Thione Seck & le Raam Daan - Mane Mi Gnoul
Thione Seck & le Raam Daan - Mass Ndiaye
Thione Seck & le Raam Daan - Domou Baye
Thione Seck & le Raam Daan - Khare Bi
Thione Seck & le Raam Daan - Diongoma
Thione Seck & le Raam Daan - Yaye Boy
Thione Seck & le Raam Daan - Sakh Yi
Thione Seck & le Raam Daan - Yeen
Thione Seck & le Raam Daan - Yenn Bi (Mame)
Thione Seck & le Raam Daan - Khalel
Thione Seck & le Raam Daan - Bamba
Thione Seck & le Raam Daan - Rara
Download Best of Thione Seck as a zipped file here. The picture at the top of this post is by Tom Verhees. It is taken from the LP Le Pouvoir d'un Coeur Pur (Sterns STCD 1023, 1988).
Posted by John B. at 6:08 PM 13 comments
Labels: Mbalax, Senegal, Thione Seck, Wolof
Sunday, March 28, 2010
One Man Thousand
The 1976 album Asaase Asa (Brobisco KBL 016) was a breakthrough hit for Alex Konadu, establishing him as Ghana's foremost exponent of "roots highlife." The title song is based on a true story about Mr. Asaase Asa, who lost both his wife and sister when they were killed by a falling tree. It is dedicated to all who have lost their loved ones.
Konadu had been singing since an early age, and became a leader of the Kantamanto Bosco Group before moving on to the band of the well-known Kwabena Akwaboah for three years and then to the Happy Brothers Band. After going solo he was discovered by the producer A.K. Brobbey and the rest, as they say, is history.
His ability to draw crowds wherever he goes has given Konadu the appellation "One Man Thousand." Withstanding the vicissitudes of fame and fashion, and staying true to his vision of pure, unadulterated highlife music, he has been an inspiration to Ghanaian musicians for years. While Konadu has issued many wonderful recordings over the decades, Asaase Asa is still considered one of his most noteworthy achievements. Enjoy!
Alex Konadu's Band - Obi Aware Wo
Alex Konadu's Band - Me Ne Me Aserene
Alex Konadu's Band - Obiri Pajampram
Alex Konadu's Band - Owuo Mpe Sika
Alex Konadu's Band - Emum Aso Dae
Alex Konadu's Band - Asem Ne Me Ara
Alex Konadu's Band - Asaase Asa
Alex Konadu's Band - W'awu Da Ho No
Download Asaase Asa as a zipped file here. For a taste of Alex Konadu recorded before a live audience, be sure to check out his album One Man Thousand Live in London.
Posted by John B. at 7:51 AM 2 comments
Labels: Alex Konadu, Ghana, Highlife
Saturday, March 13, 2010
Another Souvenir
As a follow-up to the last post, here is another ukumbusho (souvenir) from another great exponent of Muziki wa Dansi, Tanzania's International Orchestra Safari Sound.
IOSS was formed in 1985 when businessman Hugo Kisima dissolved his group the Orchestra Safari Sound, and recruited six members of Mlimani Park Orchestra to form a new orchestra. IOSS & Mlimani were considered the two top rivals for leadership of the Tanzanian music scene for a time but for some reason Kisima dissolved IOSS in the early '90s. Confusingly, at one point Ndala Kasheba briefly revived the "old" Orchestra Safari Sound, and there may have been two factions of the International Orchestra Safari Sound, the IOSS (Ndekule) and IOSS (Duku Duku).
Shukrani kwa Mjomba (Ahadi/Flatim MSCAS 513) is credited to the International Orchestra Safari Sound (Ndekule), and as usual with Ahadi/Flatim releases provides no recording information other than a track-listing. As "Chatu Mkali" on the cassette inexplicably cuts off in the middle of the song, I've used the version from the CD Musiki wa Dansi: Afropop Hits from Tanzania (Africassette AC 9403, 1995), which is still in print and available here. Enjoy!
International Orchestra Safari Sound - Shukrani Kwa Mjomba
International Orchestra Safari Sound - Shida
International Orchestra Safari Sound - Pendo
International Orchestra Safari Sound - Majuto
International Orchestra Safari Sound - Kaka Kinyongoli
International Orchestra Safari Sound - Chatu Mkali
Download Shukrani Kwa Mjomba as a zipped file here. More IOSS here. The batik at the top of this post is taken from this website.
Posted by John B. at 9:20 AM 4 comments
Labels: International Orchestra Safari Sound, Muziki wa Dansi, Swahili, Tanzania