Born in the suburbs of Abidjan around 1990, Polihet is just one of a dizzying array of styles that have made that city a musical hotbed to rival Kinshasa, Dakar and Lagos. Ziglibithy, Zouglou, Zoblazo. . . all have made their mark, only to be abandoned as fickle Ivoiriens moved on to the next craze. All of these styles are characterized by criss-crossing polyrythms and frantic, shouted vocals. About Polihet, Nick Deen over at Natari said it best: ". . . I'd love to actually see the dancing that goes with this music in action as I reckon you'd need three pairs of legs just to keep one foot on the ground!"
Gnaore Djimi was Polihet's foremost practitioner, and in response to a request from a reader over at VOA's African Music Treasures, here are some tracks by him. I've been unable to find out anything about Gnaore Djimi, and Pollihet itself seems to have faded away. Our first selection is the title tune from Djimi's 1991 cassette release Azigbo (EMI EO 241191-4):
Gnaore Djimi - Azigbo
Also from 1991, here's the opening track from Nouveau Deux (EMI 012002-4):
Gnaore Djimi et le Polihet "Plus" - Nouveau Deux
Finally, here's a scorcher from 1992's Polihet Innovation '93 (EMI EO 301192-4):
Gnaore Djimi - Zikebou
Gnaore Djimi was by no means Polihet's only representative. Olives Guede was apparently a Gnaore Djimi protegé who had a style that was maybe a bit more straightforward, with a tad less emphasis on the polyrythms and a bit more guitar. Here's the title track from 1991's Solidarite (EMI EO 15491.4):
Olives Guede et le Polihet "Plus" - Solidarite
Click on the pictures to enlarge.