Showing posts with label Jairos Jiri Band. Show all posts
Showing posts with label Jairos Jiri Band. Show all posts

Wednesday, May 30, 2018

Advance Kusugar! Zimbabwe Hits Vol. 3



We conclude our overview of DiscAfrique's Zimbabwe Hits compilations with Volume 3 of the series - Advance Kusugar! (DiscAfrique AFRI LP 006, 1988). Some of the biggest names of late '80s Zimbabwe music are here, and some lesser-known talents as well.

Jonah Moyo founded Devera Ngwena ("Follow the Crocodile") in 1979 to entertain the workers at Mashaba Asbestos Mine, which became their sponsor. Their combination of Congolese rumba and indigenous sounds immediately became a sensation, the group waxing numerous singles like "Solo na Mutsai," "Taxi Driver" and many others, including this offering, "Karekita"."What's your problem? Love can't be bought. It floats like the wind."


Explorations of the mbira, or thumb piano, by Master Chivero, about whom I've not been able to find anything. "Get on your bike and go after the sweet one. Marry her and do not lose her."


R.U.N.N. Family was made up of members of the Muparutsa family. The song is a tribute to the then-recently-departed President of Mozambique, who died in a plane crash under suspicious circumstances, probably the work of South Africa. He is compared to other African freedom fighters: "Someone keeps stirring and heating the pot. [Herbert] Chipeto, [Steve] Biko and now Samora Machel. They kill our friends. We can only pray to God and remember the inheritance of Samora Machel. Our life is the struggle."


Here are the Jairos Jiri Band, whom we remember from Take Cover!, the first volume of Zimbabwe Hits. "Chiedza is so beautiful. Her face is like a snake's egg. The sun is rising and she is my morning. I love her and will marry her."


More friends from Take Cover! "Business in town. 'Father, my business has failed. I do not want to steal. I will join the service economy. The gift of business, alas, I did not have it." 


"Nehanda, the grandmother of the ZANU people prophesied that one day they would rule themselves in a happy and free Zimbabwe."


"Ndicheni" is possibly in the Chewa language, and might be about a woman who abandons her children to go drinking in town.


"Mother, father, welcome your son. I have killed a buck and a kudu." 


"I love you more when you are happy." 


"Speak! Talk! Say what you have to say. The disadvantages of polygamy. How many women can you offer the sun and moon? How many wedding dresses will you spin from the flowers and trees? Will they believe you and how do you expect to be treated? Hell hath no fury like a woman spurned." 


"Friend, the beer hall or the church? Choose your road. Remember that to drink is a sin against God." 


Download Advance Kusugar! as a zipped file here. Researching this post I found the book Roots Rocking in Zimbabwe by Fred Zindi (Mambo Press, Harare, 1985) very helpful. Descriptions of the songs were provided by the liner notes of Advance Kusugar!.


Friday, May 18, 2018

Take Cover! Zimbabwe Hits Vol. 1



Take Cover! Zimbabwe Hits Vol. 1 (DiscAfrique AFRI LP 01, 1986), and its sequels, Goobye Sandra: Zimbabwe Hits Vol. 2 (DiscAfrique AFRI LP 05, 1988) and Advance Kusugar! Zimbabwe Hits Vol. 3 (AFRI LP 006, 1988) capture a magic moment in African music - the optimistic years immediately after Zimbabwean independence in 1980. Thomas Mapfumo and the Bhundu Boys are familiar artists from this period, but these collections highlight musicians who aren't as well-known outside of Zimbabwe. I'm pleased to offer Take Cover! today, with the other two volumes to follow soon.

The Jairos Jiri Band has been one of the leading musical congregations of independent Zimbabwe. It is the official orchestra of the Jairos Jiri Rehabilitation Centre, which for six decades has worked to to rehabilitate and integrate into society Zimbabweans with disabilities. All of the members of the band are "disabled" in one way or another, and Paul Matavire, who led the group for a number of years, was blind. Matavire left the band in 1995 and died in 2005. Following a period of inactivity, the Jairos Jiri Band was recently revived under the leadership of Stewart Njodo."Take Cover" refers to the privations Zimbabweans suffered during the bitter struggle against white minority rule:


Ephat Mujuru (1950-2001) was well-known to African music aficionados in the US, particularly in the Pacific Northwest, where he was resident for many years at the University of Washington in Seattle, lecturing and teaching the mbira (thumb piano). Mujuru founded his first musical group, Chaminuka, in 1972, renaming it Spirit of the People after the fall of the Rhodesian regime in 1980:


The Family Singers, led by Jonathan and Shuvai Wutawunashe, were a leading Zimbabwean gospel group of the '80s. "Tarira Nguva," their first single and a smash hit, shows the clear influence of American country-western music. Shuvai Wutawanashe sings, "All Christians must work hard to uphold Christianity, as the devil is working hard to destroy us.":


The O.K. Success had their origins in Congo, but since their arrival in the former Rhodesia in 1960 they have become thoroughly Zimbabwean, both in personnel and in the subject matter of their music. The lead singer of "B.P.," James Chimombe, got his start with Thomas Mafumo's Acid Band before moving on to O.K. Success, and later recording with the Huchi Band and Ocean City Band. In 1990 he became the first prominent Zimbabwean musician to die of AIDS. The lyrics: "To err is human my friend. We all make mistakes at some stage in our lives":


Over on the Electric Jive blog Tony Hunter describes his first encounter with Africa Melody: “...I had a friend who lived in Kwe Kwe and I stayed with his family. There was a band that’s sound captivated me. Africa Melody was led by a guy called John Kazadi who I think came from Lubumbashi [Congo]. The few references to the band describe it as sungura music but to me it had less of rhumba feel and at times more of country rock sound with the guitars right upfront...." "John Waenda" is about a widow whose husband died, leaving her no money to look after her children:


Born in the late '30s, Safirio Madzikatire ("Mukadota") became well-known as a comedian with his own radio program, "Mhuri Yekwa Rwizi." He soon transitioned to making music with various musicians, including the Brave Sun Band, led by his son Elijah, the Mukadota Family and this group, the Sea Cottage Sisters. In this song a man named Dickson apologizes to his girlfriend for letting her down and begs her to take him back:


In this song, a man named George leaves his long-time girlfriend for a nurse who buys him a car:


I'm not sure if there is any relationship between this Super Sounds and another group called the Ndolwane Super Sounds. In "Chipendani" a young man inherits a fortune from his father but soon squanders it. To survive he is forced to make his living as a herder:


A tribute to the late Jairos Jiri, founder of the Jairos Jiri Rehabilitation Centre, which has worked for six decades helping disabled individuals who have been abandoned by their families:


BBC Radio host John Peel described The Four Brothers band as "the best live band in the world." From 1977 to the early 2000s they were a mainstay of the Zimbabwe music scene, finally succumbing to the death or disablement of the founding members. There have been efforts to revive the group, with limited success. "Wapenga Nayo Bonus" decries the practice of people spending their yearly bonus unwisely:


"Katarina" was one of the biggest hits in Zimbabwe during the '80s. A young man desires to leave his home because everyone is jealous of his relationship with a beautiful dancer named Katarina. Later he decides he will ignore the gossip and stay at home:


Enjoy this video of Mukadota and the original "Katarina":


"Amayo" is in Chewa, a language spoken in neighboring Malawi. A young man objects to the woman his mother has picked for him to marry:


Download Take Cover! Zimbabwe Hits Vol. 1 as a zipped file here. Researching this post I found the book Roots Rocking in Zimbabwe by Fred Zindi (Mambo Press, Harare, 1985) very helpful. The translations of the lyrics are taken from the US edition of Take Cover! (Schanachie 43045, 1987).