Best-known for his work with the super-group
Kékélé and last year's release
Apostolo, the honey-voiced Bumba Massa is one of the great unsung heroes of '80s Congo/Zaïre music. Born in Kinshasa in 1945, in 1963 he founded Orchestre Cubana Jazz with Empopo Loway and
Siongo Bavon Marie-Marie, the younger brother of
Luambo Makiadi Franco. He then progressed to work alongside Johnny Bokelo in Conga '68 and with Vicky Longomba in Lovy du Zaïre, before joining Franco's TPOK Jazz in 1976.
Bumba Massa launched his career as a solo artist in 1978 with a tour of West Africa, ending with the release in 1981 of
Gare à Toi Mon Ami in Ivory Coast. Despite a number of outstanding releases like
l'Argent et la Femme and
Dovi in subequent years, Massa was unable to really "break through" on the international scene (
l'Argent et la Femme did receive some limited distribution by Brooklyn's African Record Centre) until 2001, when Kékélé's first recording
Rumba Congo (Sterns STCD 1093) brought the sounds of classic Congo music to a new generation.
Listen to Bumba Massa's brilliant 1983 outing Dovi (Syllart SYL 8306) and understand why I consider the 1980s the last "Golden Age" of Congolese music. Recorded in Paris under the direction of the great producer Ibrahima Sylla, and with the participation of outstanding sidemen like Pablo Lubadika Porthos and Syran Mbenza, it stands as a pinnacle of the sound: smooth, seemingly effortless and sublime. If you like this one, in the future I will post 1982's l'Argent et la Femme, which is almost as good.
Download
Dovi as a zipped file
here.