Friday, January 18, 2019
Sunday, January 6, 2019
As promised in an earlier post, here are Volumes 5 and 6 of the series Rochereau Vols. 1-8, released by Disco Stock in Abidjan in 1982. The first four, Rochereau à Abidjan, did not get a lot of circulation outside of West Africa, but the last four were licensed by the African Record Centre in Brooklyn.
Congo's great Tabu Ley, nicknamed "Rochereau," is showcased to great effect in these wonderful albums. The no-frills production brings the voices to the fore while leaving plenty of room for the (uncredited!) backup musicians to display their chops. And some of the most-loved songs in Tabu Ley's repertoire - "On a Raconte," "Mazé" and "Sorozo" - are included.
On listening to these recordings, it struck me that the rhythm guitar ostinato on "On a Raconté," probably recorded in '81 or ''82, sounded awfully familiar. Compare it to 1985's "Haleluya" by Orchestra Simba Wanyika from Tanzania/Kenya. Was the later recording inspired by the first? Or is this a case of parallel evolution? The rhythm guitarist on "Haleluya" is probably George Peter Kinyonga, but who plays on "On a Raconté?" The liner notes give us no clue. Can someone out there enlighten us?
First up, here is Rochereau Vol. 5: Jalousie Mal Placée (Star Musique SMP 6005):
Tabu Ley Rochereau & l'Afrisa International - Jalousie Mal Placée
Tabu Ley Rochereau & l'Afrisa International - On a Raconté
Tabu Ley Rochereau & l'Afrisa International - Mela
Tabu Ley Rochereau & l'Afrisa International - Maika
Go here to download Jalousie Mal Placée as a zipped file.
And here is Rochereau Vol. 6: Mazé (Star Musique SMP 6006):
Tabu Ley Rochereau & l'Afrisa International - Mazé
Tabu Ley Rochereau & l'Afrisa International - M. Malonga
Tabu Ley Rochereau & l'Afrisa International - N'Gawali
Tabu Ley Rochereau & l'Afrisa International - Sorozo
Download Mazé as a zipped file here.
Tuesday, January 1, 2019
Unfortunately, like a lot of these African Record Centre productions, the sound quality is not exactly ideal. I got it factory-sealed many years ago, but I suspect it was produced from a second- or third-generation master tape. I hope you'll enjoy it anyway. Bonne Année!
Lokassa Ya M'Bongo - Issa
Lokassa Ya M'Bongo - Dodo
Lokassa Ya M'Bongo - Bonne Année
Download Bonne Anné as a zipped file here.
Saturday, October 27, 2018
Sunday, October 7, 2018
Perusing Alastair Johnston's excellent overview, "Verckys and Vévé: A Critical Discography," I see that the songs in this collection haven't had a lot of distribution outside of Africa. Several were featured in the Sonodisc/African "360" series issued in France, now long out of print. A couple were included on CD reissues and may still be available in that format. Nonetheless, listening to these tracks should evoke a sense of déjà vu. They've been remade numerous times and included on medleys by such artists as the Soukous Stars and Soukous Vibration. Moreover, they acheived such widespread distribution back in the day that they're part of the DNA of African music from Kenya to Senegal. A comment on YouTube about Orchestre Kiam's "Masumu" is representative: "...I was a little boy at that time when my late Daddy and his Seamen friends used to rock those songs on a 45 rpm turntable. Guinness was 30c, Heineken 25c in Sierra Leone. Music is sure History...."
Monday, October 1, 2018
The School of Verckys
Wednesday, September 19, 2018
During the '70s Afrisa International vied with Franco's TPOK Jazz and other groups to popularize Congolese music around the world, making it the most widespread and popular style across Africa. During this period Afrisa performed at the legendary Zaïre '74 concert, during FESTAC '77 in Lagos, and at the Olympia Theater in Paris.
The sound of Mpeve Ya Longo and Kele Bibi is subtly different from the Genidia recordings. I don't know if it's because of different recording engineers or what, but the mixes here are looser-sounding, less polished and push the vocals to the forefront while making way for some really inspired instrumental jams. Truly infectious!
Following Bel's departure, Rochereau hooked up with two new female singers, Faya Tess and her sister Beyou Ciel, and continued to record and tour internationally. After the fall of Presidnet Mobutu Sese-Seko in 1997 he took a cabinet position in the new government of Joseph Kabila and followed that up with several other positions over the years. He passed away on November 30, 2013 in Belgium and was buried in Kinshasa after an official mourning ceremony.
Friday, April 20, 2018
Augustin Kouassi is an Ivorian musician who's apparently been around the block a few times. Discogs lists a couple of LPs by his band, Les Messagers de la Paix, apparently from the '80s. Other than that, I can't say much more about him and the group. How many times have I had to say that here?
I got today's offering by them way back when it first came out, along with a raft of other cassettes from Ivory Coast, and didn't pay much attention to it then. Man, was I missing out! Mambo Attoh Théophane (Carine Musique CAR 01, 1993) is one of the most addictive recordings I've heard in a long time. Everything about it is first-rate, from Gaiten Kouao's exquiste guitar work to the outstanding vocals (different members take turns singing lead, and the chorus is tight). Of course, Congo music is an influence, and the vocals have that sweet-and-sour quality you hear in West African music from Ghana to the Niger Delta. I'm tempted to label it "Soukous-Highlife," but that just doesn't do it justice. Let the music speak for itself!
Augustin Kouassi & Les Messagers - Mambo Attoh Théophane
Augustin Kouassi & Les Messagers - Kêgbè Piemin
Augustin Kouassi & Les Messagers - Yié Koubê
Augustin Kouassi & Les Messagers - Boto Sopie
Augustin Kouassi & Les Messagers - Adja Ayo
Augustin Kouassi & Les Messagers - N'Douci Carrefour
Download Mambo Attoh Théophane as a zipped file here.
Thursday, January 25, 2018
A track from Ivory Coast's Gueatan System was featured on the 1993 release Super Guitar Soukous (Hemisphere 7243 8 28188), a compilation devoted mainly to Congolese musicians. Their music is not really soukous, although there are definite influences in the guitar work, as in the music of other African countries. The group members are from the Dan, or Yacouba, ethnic group, who live in the western part of Ivory Coast, spilling over into Liberia. The Dan are world-renowned for their carved wooden masks and other artwork.
Other than that, I can't say anything else about Gueatan System other than that this cassette, Ze (EMI E0183492-4, 1992), is spectacular. Enjoy!
Gueatan System - Ze
Gueatan System - Dion
Gueatan System - Abiba
Gueatan System - Zolo
Gueatan System - Guelo
Gueatan System - Zemele
Download Ze as a zipped file here.
Monday, January 8, 2018
Thursday, November 30, 2017
There's not much to say about this one except it's a primo example of mid-'80s Congo rumba at its best. Enjoy!
L'Amiral Cheri-Gau & Les Officiers of African Music - Ce Combat de la Vie
L'Amiral Cheri-Gau & Les Officiers of African Music - Mth Amour
L'Amiral Cheri-Gau & Les Officiers of African Music - Tungu
L'Amiral Cheri-Gau & Les Officiers of African Music - La Musique est une Science
Download Conspiration as a zipped file here.
Thursday, November 9, 2017
I was all ready to post today's selection - Baba Gaston's wonderful 1983 release Condition Bi-Msum (ASL ASLP 971) - when I realized that Stefan Werdekker had made it available on his blog WorldService a while back. Should I or shouldn't I, I wondered? Then I decided to go ahead with it. If you missed it before, here's your chance to enjoy some of the sweetest soukous the '80s managed to produce.
I've written about Baba Gaston before. He's one of many Congolese musicians who made their way to East Africa during the '70s and '80s. Coming from Lubumbashi in the southern part of then-Zaïre, where Kiswahili was already the lingua franca, it wasn't a difficult transition for Gaston and his Orchestre Baba Nationale to settle down in Dar Es Salaam in 1971, relocating to Nairobi a few years later. Here the band gave rise to many offshoots and a distinctive East African iteration of the classic Congo rumba sound. It all came crashing down in 1985 when foreign musicians were ordered to leave Kenya under President Daniel Arap Moi.
Enjoy Condition Bi-Msum. And for more information about Baba Gaston and other Congolese musicians in East Africa, read Alastair Johnston's essential Congo in Kenya.
Baba Gaston - Ekelekele
Baba Gaston - Hello Hello
Baba Gason - Rudi Nyumbani Africa
Baba Gaston - Condition Bi-Msum
Download Condition Bi-Msum as a zipped file, complete with album and label art, here.
Friday, October 27, 2017
In the 1980s Bembo spent more time in Europe while Alida held down the fort in Kinshasa. His 1983 outing Conflit (EuroMusic 001000), recorded in Belgium with the uncredited "Musiciens Zaïrois de Bruxelles" and a bank of session players on electronics, is relatively restrained but still packs a punch. Check it out:
Lita Bembo - Conflit
Lita Bembo - Deese
Lita Bembo - Bonne Chance
Lita Bembo - Comprehension
Download Conflit as a zipped file, complete with album and label art, here.
Orchestre Stukas Caiman - Wangata
Biographical information in this post about Lita Bembo and Stukas was taken from the liner notes of the CD Kita Mata ABC (RetroAfric RETRO 18CD, 2005), an excellent career retrospective of the group. You can get it here.
Friday, October 13, 2017
Here's another classic from the last "Golden Age" of Congo music, the 1980s!
Wuta Mayi is best known as a member of two Congolese "super groups" - Les Quatre Étoiles, which launched in the early '80s, and Kékélé, from the early years of this century. However, he's had an illustrious career not only guesting on many others' recordings over the years but as a solo artist. He got his start with Jamel National in 1967 and the next year jumped over to Orchestre Bamboula, led by Papa Noël. He was invited to join le Tout Poussaint OK Jazz by Franco in 1974, where he stayed for eight years. The launching of Le Quatre Étoiles in 1982, uniting the talents of Mayi, Nyboma Muan'dido, Bopol Mansiamina and Syran Mbenza, supercharged the African music scene, taking it to new audiences around the world.
In between stints with Les Quatre Étoiles Wuta Mayi found time to record a number of solo albums including today's offering, Tout Mal Se Paie Ici Bas (Soweto Records 002, 1984).
An extra special bonus for this LP is the presence of Souzy Kasseya, whose brilliant guitar work enlivened many recording sessions from Kinshasa to Abidjan to Paris back in the '80s. Kasseya had a smash hit in France in 1983 with "Le Téléphone Sonne." Many years ago I posted another tune by him here on Likembe, which you can find here. Souzy's worth a post of his own in the future. In fact, I think I'll do that! In the meantime, enjoy this slice of sweet Congo soukous!
Wuta Mayi - Tout Mal Se Paie Ici Bas
Wuta Mayi - Elembo Na Mi Tema
Wuta Mayi - Batamboli Moto
Wuta Mayi - Maboko Pamba
Download Tout Mal Se Paie Ici Bas as a zipped file, complete with album and label art, here. Biographical information in this post courtesy of the liner notes of Rumba Congo (Sterns STCD 1093, 2001) by Kékélé, available here.
Friday, September 22, 2017
Congolese musician Pablo Lubadika Porthos began his career with several local assemblages in the 1970s, including Kin-Bantou, Lovy du Zaïre and Orchestre Kara before moving to France and becoming ubiquitous as a session musician during the heyday of the Paris-based Congo music scene of the '80s. He cut several fine solo albums as well, including today's offering, Ma Coco (Afrohit Discafrique DARL 019), from 1981.
Two tracks from Ma Coco were featured, in truncated form, on the influential compilations Sound d'Afrique (Mango MLPS 9697, 1981) and Sound d'Afrique II: Soukous (Mango MLPS 9754, 1982). Other recordings from Pablo are available for streaming from Apple Music and, I believe, other platforms. Enjoy!
Pablo Lubadika Porthos - Ma Coco
Pablo Lubadika Porthos - Mbongo Mokonzi
Pablo Lubadika Porthos - Madeleina
Pablo Lubadika Porthos - Bo Mbanda
Download Ma Coco as a zipped file, complete with album and label art, here.
Sunday, July 29, 2012
Taking care of some unfinished business today. . . Many thanks to Ken Chijar Ekezie, who provides us with Part Two of the exceedingly rare "Yokolo" by Docteur Nico and Orchestre African Fiesta Sukisa (above). As far as I know, "Yokolo" has only been available in its entirety as Sides A & B of a single issued and re-issued (Sukisa 501 and Ngoma DNJ 5274) sometime in the late '60s. Part One was included on the Nigerian compilation Music From Zaïre Vol. 3 (Soundpoint SOP 043) which I posted here.
Here is "Yokolo Pt. 2":
Docteur Nico & Orchestre African Fiesta Sukisa - Yokolo Pt. 2
And here are Pts. 1 & 2 joined together:
Docteur Nico & Orchestre African Fiesta Sukisa - Yokolo Pts. 1 & 2
Loyal Likembe reader/listener Sanaag, who has done so much to enlighten us on the Somali music scene of the '70s and '80s, graces us once again with a better pressing of the LP Famous Songs: Hits of the New Era (Radio Mogadishu SBSLP-102, 1973), this time complete with liner notes! You can get it all here. And thanks once again, Sanaag!
Update: Many thanks to African Music Recycler for providing us with a scan of the sleeve for "Yokolo." It gives credit to "Docteur Nico & Orchestre African Fiesta." I'm fairly certain, though, thanks to Alistair Johnston's Docteur Nico Discography, that it is by African Fiesta Sukisa. This was Dr. Nico's band following his split with Rochereau, which gave rise to two orchestras, African Fiesta Sukisa and African Fiesta National.
Friday, June 29, 2012
Note: This post was updated and corrected on July 3, 2012.
The rambunctious saxophone stylings of Kiamwuangana Mateta "Verckys" are a hallmark of many of the 1960s recordings of Congo's great Orchestre OK Jazz. Bandleader Luambo Makiadi Franco is said to have much valued his improvisational style and invocations of American-style R&B, a counterpoint to the rest of the band's more sedate sound.Verckys attempted a mutiny in 1968 while Franco was away in Europe, enticing several of the band members to join him in forming a new orchestra. When Franco returned he was able to convince most of the defectors to come back, but Verckys, unrepentant, launched Orchestre Vévé in 1969. He later managed the careers of up-and-coming bands like Les Grands Maquisards, Bella-Bella, Lipua-Lipua and Empire Bakuba. There was a distinct Verckys sound or "school" exemplified by these groups, which was influential across Africa as I discuss in this post..
The 45s I offer here were borrowed from various friends and dubbed onto 10" tape reels back in the '80s. Several years ago I digitized them, along with a number of other recordings in my library. Unfortunately I didn't think to photocopy the labels, but I copied the recording information from them. These were all pressed in the mid-'70s in Kenya.
"Lukani" (Editions Vévé VV213), composed by Tusevo Nejos and released in 1975, elicits warm feelings of nostalgia across Africa, as typified by these comments on YouTube: ". . .:Brings back childhood memories growing up in eastern Nigeria then. Quite fun listening to my elder ones singing along as the music is being played on the popular IBS radio station. Oh Africa, home of good and undiluted music." ". . . Reminds me of the Kampala of the 1970's, when Idi Amin ruled supreme. Remember those bell-bottoms, eh?":
Orchestre Vévé - Lukani Pts 1 & 2
The LP Les Grands Succes de Editions Veve (Sonafric SAS 50039, 1977) features another version of "Engunduka" by Orchestre Engunduka. I'd give the edge, though, to Vévé's interpretation of Sax Matalanza's song (Editions Vévé VV-234-N), which starts out somewhat restrained but quickly succumbs to frenzied guitars and some truly insane sax work:
Orchestre Vévé Internationale - Engunduka Pts 1 & 2
According to Mboka Mosika, Orchestre Kiam was founded in 1974 by Muzola Ngunga. In appreciation for the band's sponsor Kiamwuangana Verckys, who provided its musical instruments, he proposed to name it "Kiam." Orchestre Kiam lacked the distinctive horn section of Vévé and had a radically different style. "Kamiki" (Editions Vévé VV218), which Ngunga composed, was a big hit in 1975. Here the stripped-down guitar sound, scattershot percussion and frantic vocals bring to mind the sound of Orchestre Stukas du Zaïre, a contemporary aggregation:
Orchestre Kiam - Kamiki Pts 1 & 2
The two Bella-Bella songs here, "Pambi Ndoni" (Bilanga Bl 001) and "Nene"(Editions FrancAfrique EFA 08), were both written by Soki Vangu around 1975 after the break with Verckys. The late '70s were the peak of Bella-Bella's influence, and the group waxed numerous classics including "Tika Ngai Mobali," "Houleux-Houleux" and "Zing Zong." In 1977 Soki Diazenza apparently suffered a nervous breakdown. It was all downhill for Bella-Bella from that point and by 1981 it had effectively disappeared.
Orchestre Bella-Bella - Pambi Ndoni Pts 1 & 2
Orchestre Bella-Bella - Nene Pts 1 & 2
As recounted above, Orchestre Lipua-Lipua was formed by the musicians who stayed with Editions Vévé after the departure of Bella-Bella in 1973. It too suffered its share of defections, notably that of Pepe Kallé, but soon recruited a number of talented musicians, notably rhythm guitarist Vata Mombassa, who became leader with the departure of Nyboma Mwan'dido and several others in 1975 to found Orchestre Les Kamalé. He is responsible for the next two tracks, "Bondo" (ASL ASL 7-2109) and "Lossa" (Editions Vévé VV198):
Orchestre Lipua-Lipua - Bondo Pts 1 & 2
Orchestre Lipua-Lipua - Lossa Pts 1 & 2
Lipua-Lipua winds things up with Tedia Wamu Mbakidi's scorcher "Temperature" (Editions Vévé VV 228N) from 1977. Nzaya Nzayadio's vocals and Santana Mongoley's lead guitar really make this one a standout. Lipua-Lipua would continue on for several years until sputtering out around 1984. Vata Mombassa pursued a solo career, ending up in Abidjan, Ivory Coast where he remains to this day.
Orchestre Lipua-Lipua - Temperature Pts 1 & 2
Download the songs in this post as a zipped file here. For more information on Verckys and his label Editions Vévé, see Alistair Johnston's discography here. The liner notes of Vintage Verckys (Retroafric RETRO 15CD, 2001) were very helpful in researching this post; in addition the blog Classic Ambiance: Franco and Pepe Kalle Flashback is highly recommended. African Rock: The Pop Music of a Continent by Chris Stapleton and Chris May (Obelisk/Dutton, 1990), Congo Colossus: The Life and Legacy of Franco & OK Jazz by Graeme Ewens (Buku Press, 1994) and Rumba on the River by Gary Stewart (Verso, 2004) are all excellent reference books. All of these may be purchased or downloaded by clicking on the links.
Sunday, June 17, 2012
A major force in the Zimbabwe music scene of the 1980s, the Real Sounds of Africa were in fact founded by a group of Congolese musicians in Zambia in 1975. Moving to Zimbabwe (then Rhodesia under the white-minority government of Ian Smith) in 1978, they became an immediate sensation, releasing their first LP, Harare (Zimbabwe ZML 1015), in 1984.
The foremost Congolese-origin band in Zimbabwe, the Real Sounds forged a unique blend of rumba music and indigenous sounds that they called rumbira. Success followed upon success, and in 1986 the group toured Europe, releasing two albums in the UK, Wende Zako (Cooking Vinyl COOK 004, 1987), and Seven Miles High (Big Records BIG 1, 1989).
I don't know what has become of the Real Sounds, but their music, especially their football songs, continues to be popular to this day. Enjoy Harare!
The Real Sounds - Kapinga
The Real Sounds - Ozweli Ngai Mbanda
The Real Sounds - Baninga
The Real Sounds - Harare
The Real Sounds - Chamunorwa
The Real Sounds - Dynamos Versus Caps (0-0)
Download Harare as a zipped file here.
Thursday, October 6, 2011
Congo music doesn't get much smoother and more elegant than Bumba Massa's 1982 outing L'Argent et la Femme (Star Musique SMP6017), recorded in Togo with the participation of Bopol Mansiamina, Syran Mbenza and Lokassa ya Mbongo, among others. When I posted Bumba's 1983 LP Dovi earlier this year, I promised this one would be coming your way also. Enjoy!
Bumba Massa - L'Argent et la Femme