Thursday, December 13, 2018

A Village Interlude



This is a quick and brief post, in response to a request.

A while back I put up a post devoted to traditional Igbo village music from Nigeria, a genre sometimes called "Igbo Blues." I included a track from the 1991 cassette Chukwunna Njieme Onu (EMI Nigeria NEMI 0692) by the Ifediora Mma Egedege Cultural Dance Group of Uga, Anambra State, led by Queen Ann Ezeh. A reader asked that I post the whole cassette, and I'm happy to oblige!


This is the genuine article, real traditional Igbo women's music as it is performed in villages throughout Ala Igbo. As I wrote back then:

....Here the full panoply of Igbo traditional instruments is displayed to great effect. The amiri (reed flute) leads off, to be joined in succession by the ekwe (wooden slit drum), ogene (two-headed bell) and oyo (rattle). The title, "Chukwunna Njieme Onu," means "My God that I Brag About." Lead singer Ann Ezeh addresses God in a very personal way: "God, please bless us, God that we rejoice in, God give us your grace, God that is all-good, God in heaven ('Olisa din'igwe') make our way easier."...
Moreover this is the sort of music one would hear this time of year. Around Christmastime Igbos from throughout Nigeria return to their home villages to spend time with family and celebrate the holy days. Musical troupes travel from household to household to perform for money.

I don't have time to discuss the lyrics and music in more detail, but I hope you will enjoy this brief village interlude!


Ifediora Mma Egedege Cultural Dance Group Uga - Ka Odilianyi Mma



Download Chukwunna Njieme Onu as a zipped file here.


Saturday, December 8, 2018

Spectacular Sounds From the Delta



About 20 years ago my wife Priscilla brought back from Nigeria about 40 albums of Ijaw (Izon)-language highlife music, or Awigiri, from the Niger Delta that she'd gotten at a used record store in Lagos.

Of course, I knew Igbo-language highlife from eastern Nigeria, but this was totally unfamiliar to me. I'll admit that I didn't warm to it immediately. I devoted a Likembe post to this music ten years ago, but apart from a few cursory listens these records have mostly sat on my shelf since I got them. 

Recently, though, I decided that I would sit down and sytematically digitize every single Ijaw record that I have. For the past few weeks I've been immersing myself in Awigiri, and it's a revelation! I've realized that I wasn't giving this stuff a fair hearing. I had been listening to it in reference to other styles I was more familiar with, but Awigiri must be accepted on its own terms!

Musically Awigiri has more in common with the minor-key sounds of Ghana highlife than other Nigerian styles. It certainly lacks the immediate punch of the music of Nigerian highlife legends Warrior or the Ikenga Super Stars, or the sophisticated arrangements of Chief Stephen Osadebe. It's a guitar and percussion-based music that comes at you in a more subtle, roundabout way, but delivers big time. 

Take today's musical selection, Edogbo Special Vol. 2, by Anthony Cockson and his Oyadongha Dance Band (Cockson Records CRLP 005, 1986). That previous Likembe post featured an outstanding tune by them, "Late Brother Iddo," from  Edogbo Special Vol. 1 (Cockson Records CRLP 001, 1984). The title tracks of both albums are tributes to Mr. Cockson's late mother Madam Edogbo Perefa. Here the band is firing on all cylinders; the guitar work in particular is spectacular. The musicians on Vol. 2 aren't credited, but I would assume they are the same as on Vol. 1. These are Mr. Cockson on vocals, Sayerigha on lead guitar, Paa Pee on bass and Free on rhythm guitar, Dare Saturday on drums, Ogbo-Akedei Zitare on clips, A. Lucky on maraccas and P. Timi-Ebe on congas.

Ubulujaja over at the Highlife Turntable blog is also into Ijaw highlife and posts it often. He's been in touch with the son of Bestman Doupere, another well-known musician from the Delta, who relates that Mr. Cockson, Mr. Doupere and another musician named King Ebizimor were all from Sagbama in present-day Bayelsa State and played together before they all embarked on solo careers. I plan to post music by these musicians and others from the area in the future.




Download Edogbo Special Vol. 2 as a zipped file here.


Sunday, December 2, 2018

Epic Efik Highlife



Some time ago I devoted a post to music from the Efik and Ibibio peoples of southeastern Nigeria. For some reasoin I overlooked today's featured group, the Isadico Dance Band Nigeria, led by Isaiah Dickson. Why I would have neglected them, I don't know. Their album, Eti Eyeneka (EMI Nigeria NEMI 0413), which came out in the seventies I believe, is about as fine an example of classic Nigerian danceband highlife as you'll find.

For some reason not a lot of music from this corner of Nigeria has made it to the outside world, although I suspect it has a thriving music scene. Calabar, the capital of Cross River State and center of the Efik people, is a historically important and cosmopolitan city, a center of the slave trade in the olden days and later a transfer point for palm oil. It's notable for its cuisine and colonial-era architecture and has been called "the tourism capital of Nigeria."

Our friend Uchenna Ikonne grew up in Calabar and wrote often in his blog Comb and Razor about its music. In 2016 he compiled an excellent collection of Calabar music, Calabar-Itu Road: Groovy Sounds from South Eastern Nigeria (1972-1982(Comb & Razor CRZR 1004), which I highly recommend. Music by Calabar's favorite son, Inyang Henshaw, is also available for download and streaming from Amazon. But that's about all the Efik music available that I'm aware of.

I can't tell you anything about Isaiah Dickson and Isadico, but Uchenna says they got quite a bit of airplay back in the day. Enjoy this epic Efik highlife!

Isadico Dance Band Nigeria - Eti Eyeneka / Echi Di

Isadico Dance Band Nigeria - Eka Ette


Isadico Dance Band Nigeria - Nam Uruak Fo Obong

Download Eti Eyeneka as a zipped file here. It's apparent listening to this record that it was well-loved in its day and is a bit worse for wear. I apologize for the clicks and scratches and occasional skip.