Jack of All Trades, Master of All

Footballer, guitarist and composer of many of the most memorable songs in Congolese music, Mayaula Mayoni (1946-2010) has often been overlooked. I posted one of his biggest solo hits, "Ba Chagrins", back in 2007.  The blog AfricOriginal ably summarized Mayaula's career in this post, which I reproduce here. Follow the link for pictures and further information about this well-respected musician. 

Born in Léopoldville (now Kinshasa) on the sixth of November 1946, Mayaula passes effortlessly through primary school. In 1962 he completed secondary education at the College of Kisantu. The young Mayaula appears to be a passionate and good football player. Between 1968 and 1971 he plays at a high level as a left winger in the first team of "AS Vita Club" in Kinshasa. In this period he is also selected for the national team of Zaïre.

When his father is stationed as a diplomat in Dar es Salam, Mayaula follows his father to Tanzania and plays some time with "Yanga Sports". Then he leaves for Charleroi in Belgium where he follows a course in data processing. In Belgium his talent is also noticed and he plays professional soccer with "Racing Club de Charleroi" and "Racing Club de Jette"in Brussels. He also plays for some time in Switzerland with "FC. Fribourg". In this period he gets acquainted with the guitar through a study friend. Also musically he shows himself a talented student and soon he joins the Congolese student orchestra "Africana" as rhythm guitarist.

When he returns to Kinshasa, Mayaula makes a career switch from professional soccer player to professional composer and musician. Back home he immediately draws the attention of his former football president and band leader Franco, who asks Mayaula to join his band and adds his song "Cherie Bonduwe" to the repertoire of his TPOK Jazz.

The melodic and thematically rich song receives much attention, not in the least because the National Censorship Commission prohibits the song. "Cherie Bondowe" presented the life of a prostitute from her point of view and is considered by the authorities as a defense of prostitution. The song was first released in Brussels, and rapidly found its way back to Kinshasa, despite the ban by the government.

Although Franco requested him to join TPOK Jazz, Mayaula Mayoni has never been an official band member of the TPOK Jazz. "He was something of an independent oddity in the music business" writes Gary Stewart in "Rumba on the River". "He prefered to compose his songs and then offer them to whichever artist he felt they fit. Many of his memorable efforts like 'Nabali Misère' and 'Momi' found their way to OK Jazz".

In 1977 it was female singer Mpongo Love who scored with Mayaula"s composition "Ndaya," a song that tells the story of a woman happy in her marriage and confident of keeping her husband, despite the overtures of other women.

Many people mistakenly think that Mayaula was not only a gifted guitarist and composer, but a good singer as well. Although he sometimes acted as background vocalist during recordings and live performances, he has never presented himself as a lead singer. Probably this misconception is caused by a picture on the cover of the album 'Veniuza', on which we find Mayaula behind the microphone.In 1981 Mayaula leaves Zaire together with some musicians from female singer Abeti's band Les Redoutables, to try his luck in West-Africa. In the period between 1981 and 1984 he records several solo LP's in Lomé (Togo) for the record label Disc-Oriënt'. In 1984 he returns to Zaire where he releases the album 'Fiona Fiona' in 1986. In the same year female singer Tshala Muana gains success with 'Nasi Nabali', a composition written by Mayaula Mayoni. He records his next album 'Mizélé' with the help of musicians of TPOK Jazz and singers Carlito Lassa and Malage de Lugendo.

In 1993 he hits the charts again with the album "L'Amour au Kilo". It then lasts until 2000, before he comes with a new album, "Bikini". Not long after the release of this album, Mayaula settles again in Dar es Salam, where he accepts a job at the diplomatic service. In the years that followed he began to suffer increasingly the consequences of hemiplegia, a disease that may result in loss of speech and paralysis of limbs. In 2005 he returns to his place of birth, Makadi. As his condition continues to deteriorate his family decides in cooperation with the authorities to bring Mayaula to Brussels for medical treatment. After a long illness of several month"s he dies in Brussels on May 26, 2010 at the age of 64 years. During his impressive career, Mayaula Mayoni was repeatedly voted "composer of the year" in Zaïre. In 1978 for the song "Bonduwe II", in 1979 for "Nabali misère" and in 1993 for the song "Ousmane Bakayoko".

I present here Mayaula Mayoni's album La Machine a Tube (Tabansi/Africa New Sound WNL 405), recorded during his Togolese sojourn in the early '80s:

Mayaula Mayoni - Veniuza

Mayaula Mayoni - Mokili Makambo

Mayaula Mayoni - Omari

Mayaula Mayoni - Sauce Ya Bolingo

Next I offer this late '80s LP Motors (Sukuma SUK 001), with Mayaula on Side 1 and guitarist/composer Dino Vangu on Side 2. I don't think this is a true collaboration between the two, but rather something that was stitched together by a record producer. Vangu is another often-overlooked figure on the Congolese scene. He got his start in Sam Mangwana's orchestra Festival des Maquisards in 1969 and then moved on to a number of other musical congregations, notably Tabu Ley Rochereau's Afrisa International. His guitar work with Afrisa is featured in several posts here at Likembe.

Mayaula Mayoni - Motors

Dino Vangu - Bondumba

Dino Vangu - Pumaza

Dino Vangu - Ngole

Download La Machine a Tube as a zipped file here. Download Motors as a zipped file here. Both files contain scans of the front and back covers as well as the labels.

Those Were the Days

I mentioned a while back that I recently digitized a number of 10" tape reels that I've had lying around for many years. I've been working through this material ever since, organizing it and processing the sound, and the result has been a number of recent posts. Today I'm putting up several 45s of classic music from the Congo (then known as Zaïre). These were all issued in Kenya in the early '80s.

Our first selection is by Mayaula Mayoni (above). Mayoni, formerly of Congo's Vita Club football team, was a member on and off of Franco's TPOK Jazz, played in other bands, and put out a number of solo recordings in the TPOK Jazz vein. "Ba Chagrins" was issued in Kenya as ASL Records ASL 3390:

Mayaula Mayoni et son Ensemble - Ba Chagrins Pts. 1 & 2

Speaking of Franco, if you're a devoted fan, I'm sure you've heard this one. "Tangawusi" is one of TPOK Jazz's most popular songs, and has appeared on a number of compilations and reissues. Naotaka Doi's excellent Franco discography at Forest Beat credits the song to Papa Nöel (right), which would lead one to think that he sings lead as well (an extra bonus, Papa Noël being one of my fave African musicians of all time). Here's the Kenya pressing (ASL records ASL 2318):

Franco & l'Orchestre TPOK Jazz - Tangawusi Pts. 1 & 2

Souzy Kasseya is best known as a backup musician, particularly on the recordings of Tshala Muana, but he has had a number of solo outings, particularly "Le Telephone Sonne" (left), which I understand actually "crossed over" in Europe and got some mainstream radio play. He was born in Lubumbashi in 1949 and bounced around among various orchestras including Vox Africa, the African Team and Mpongo Love's group. "Sulia Tantine" was issued in Kenya as ASL Records ASL 2328:

Souzy Kasseya - Sulia Tantine Pts. 1 & 2

Doug Paterson wrote in the British magazine Africa Beat in 1986: ". . . In 1984 the biggest selling single in Kenya was 'Amour Cherche Amour’ by Manana Antoine, a record with a French title and Lingala lyrics sung by a Zairean working in Cote D'Ivoire. It sold 30,000 and got universal radio airplay while the biggest vernacular record got heard only on its local district radio and sold 8,000. . ." Antoine, known as "Papa Disco," was a well-known musician in Côte d'Ivoire for a time, with his own record label, but he seems to have dropped from view in the years since. Here is "Amour Cherchez Amour" itself, from the Kenyan pressing (ASL Records ASL 2329):

Manana Antoine (Papa Disco): Amour Cherchez Amour Pts. 1 & 2

Lipua-Lipua was one of the many innovative new bands that arose in Zaïre in the early 1970s. While the label of this 45 (Editions Sakumuna SN 018) credits "Anifa" to Lipua-Lipua, the very informative Bolingo website lists a version by Les Kamale (on the LP Sonafric SAF 50087, right). Of course, Nyboma Mwan'dido was a member of Lipua-Lipua before splitting to form Les Kamale, sings on this version (although not lead), and on SAF 50087 is credited as composer. I've been unable to dig up another citation of "Anifa," and not having the Kamale LP, I can't say if there are actually two versions of this song or one version issued under two different names. Can someone clarify?

Orchestre Lipua-Lipua - Anifa Pts. 1 & 2

Update: Several reader/listeners have confirmed that there are two different versions of "Anifa," one by Lipua-Lipua and the other by Les Kamale. Thanks also to Ronald, who informs us that the lead vocalist on "Tangawusi" is Ntesa Dalienst, not Papa Noël (although Papa Noël did compose it).