Wednesday, October 17, 2018

"The Otis Redding of Zimbabwe" (Eyeroll)



Oliver "Tuku" Mutukudzi has been called "The Otis Redding of Zimbbawe," a comparison that has always irritated me. Oliver Mutukudzi isn't the Otis Redding of Zimbabwe, he's the Oliver Mutikudzi of Zimbabwe - his music stands on its own, it's unique and incomparable. Moreover, these sort of analogies, well-meaning, often made by publicists and music journalists, seem really ethnocentric, as if American or European music is the baseline against which all other music is defined.

End of rant. Born in 1952, Oliver grew up in Highfield, the historic African "ghetto" of Harare (called Salisbury under Ian Smith's racist Rhodesian regime) and learned to play a homemade instrument from a book called "It's Easy to Play the Guitar." He started singing gospel music and in 1975 joined Thomas Mapfumo in the Wagon Wheels band. By the '80s, as a solo artist, he had acheived massive fame in Zimbabwe, with many best-selling singles and albums and growing popularity across Southern Africa. By the turn of the century, several international releases and tours had made Mutukudzi, along with Mapfumo, one of the two most popular Zimbabwean musicians in the world.

Here is Nzara (Kudzanayi BL 459), a 1983 release that showcases Tuku at the peak of his powers, his soulful voice soaring above inspired arrangements and a variety of styles. Enjoy!











Download Nzara as a zipped file here. I have another album by Oliver Mutukudzi, Sugar Pie, that I'll be posting soon.


Friday, October 12, 2018

"Some Beautiful Woman Are Dangerous"



The Okukuseku International Band, led by Sammy Koffi, was a Ghanaian group that made its way to Nigeria in the '70s and built an enduring career there. In this Okukuseku was not alone: the '70s oil boom was like a giant magnet that drew musical talent from across Africa. When the Nigerian economy crashed in the '80s these musicians were all sent packing. Sammy and Okukuseku apparently also retreated to Ghana, but by 1989 they were back in Nigeria, where today's offering, Beautiful Woman (His Master's Voice/EMI Nigeria HMV (N) 061), was recorded.

Sammy Koffi himself  started out with K. Gyasi's band in Ghana in the '60s, before leaving to form Okukuseku's No. 2 Guitar Band in 1969. I've been wanting to post something from Okukuseku for a while. Thing is, quite a bit of their material has been posted on various blogs already, notably Moos's Global Groove, which has an extensive selection. Beautiful Woman, to the best of my knowledge, has not been made available before. In fact, it's not even included in Discogs' extensive listing. So, double bonus!

The title song, "Beautiful Woman," seems to draw on the same sentiment as, if it's not directly inspired by, Jimmy Soul's 1963 smash "If You Want to Be Happy," but I really enjoy the extended jam that takes up Side Two of this LP. I hope you'll enjoy it also!




Download Beautiful Woman as a zipped file here. Side A of this pressing was off-center, resulting in a slight "wow." My apologies, couldn't do anything about it!


Sunday, October 7, 2018

Kiamwuangana Verckys, Producer Extraordinaire!



No sooner had I posted Likembe's last offering then I realized that I had another, similar pressing. Orchestres Kamale et Kiam was issued in 1981 by Rogers All Stars records in Onitsha, Nigeria on license from Editions Vévé in Kinshasa, reference number VOZ 1003. I now present Voice of Zaïre Vol. 1, VOZ 1001 in the same series. I presume there is a VOZ 1002 and even other volumes, but I've been unable to find out about any. Although they were issued in the '80s in Nigeria, the songs on these collections were all recorded in the '70s.

It all goes to demonstrate the great popularity of the Congo sound in Eastern Nigeria during the '70s and '80s, and especially the productions of Kiamwuangana Mateta "Verckys."

Perusing Alastair Johnston's excellent overview, "Verckys and Vévé: A Critical Discography," I see that the songs in this collection haven't had a lot of distribution outside of Africa. Several were featured in the Sonodisc/African "360" series issued in France, now long out of print. A couple were included on CD reissues and may still be available in that format. Nonetheless, listening to these tracks should evoke a sense of déjà vu. They've been remade numerous times and included on medleys by such artists as the Soukous Stars and Soukous Vibration. Moreover, they acheived such widespread distribution back in the day that they're part of the DNA of African music from Kenya to Senegal. A comment on YouTube about Orchestre Kiam's "Masumu" is representative: "...I was a little boy at that time when my late Daddy and his Seamen friends used to rock those songs on a 45 rpm turntable. Guinness was 30c, Heineken 25c in Sierra Leone.  Music is sure History...."

All of these bands have been featured on previous Likembe posts, which you can access here. Another version of Orchestre Vévé's "Lukani" was included on this post.






Download Voice of Zaïre Vol.1 as a zipped file here.