Saturday, August 11, 2007

Viva Voodoo Funk!


If you've been around the African music blogosphere for a while you've probably chanced across an incredible site entitled Voodoo Funk. Here an intrepid German named Frank, or "DJ Soulpusher" (right), recounts his adventures digging up old vinyl recordings across West Africa, with a special emphasis on Benin, which, for a small country, has produced an inordinate amount of wild, funky and just plain out there music. The really great thing is, every month or so Frank posts a mix of his latest discoveries. Sure, they're usually scratchy as all get-out, but that only adds to the overall ambiance. Close your eyes and you can imagine yourself sitting in a dusty, stifling record shack in Cotonou, drinking an ice-cold (or not-so-cold) Star or Gulder or whatever they drink in Benin, just rockin' out.

Now Frank's back from another expedition, and he's promising us not one but three new collections of his discoveries. Moreover, he's gone back and reworked some of his earlier postings, adding more material and more "local color." Here's a passage that particularly impressed me:

"....One day, I decided to visit Bohicon, a town about 70 miles to the North of Cotonou. My guide Didier and I travelled in a bush taxi and upon arrival chartered two motorcycle taxis with local drivers who said they'd know some places where we would find records. The first spot was at a store that sold cassette tapes, records as well as radios and all other sorts of electronic equipment. The records were in two large wooden boxes that also contained swarms of large cockroaches and silverfish. Most paper sleeves had been eaten away partially by insects. The closer we got to the bottom, the lesser intact the sleeves and the thicker the bug droppings inbetween records. The air was thick with dust and and a dark layer of dirt and bug excrement started to cake onto my hands and lower arms. When I was finally through with everything, we jumped on our bikes and zoomed across a labyrinth network of dirt roads finally reaching a big one story building with clay walls.

"The owner of the records store who had accompanied us on a third bike introduced us to a very old man who had some white medicine smeared all over his body and was only covered around the waist with a piece of cloth. The record store owner went into the next room and returned, one after the other, with three very large wicker baskets that were stuffed with stacks of LPs and 45s. At one point, thankfully long before our visit, the baskets had also given a home to some sort of hornet who had chewed away almost all cover sleeves right up to the records, leaving round layer cakes of vinyl, paper and cardboard. I found a few records where even small amounts of vinyl had been gnawed off by those eager little critters. Things got really rough when I hit the bottom of the last basket that contained mostly 45s: The hornets had built chambers and tunnels inbetween the records, using a red, claylike substance that I guessed consisted of chewed up record sleeves, earth and hornet spittle. To make things even more bizarre, large pieces of insect shells were baked into the thick, red crust. Otherwise, the records that I could see the surface of seemed unplayed and the fact that most of them were present in multiple copies supported the idea that this was dead stock. I decided to also buy the claycaked ones, including the embedded insect parts. . ."
Frank indicates, by the way, that two record companies have expressed an interest in producing compilations of this music. Serious reissues of vintage Beninois Afro-funk, remastered from the original recordings. . . it's a dream come true!

'Til Frank gets those new mixes posted, here's a little something to get us all in the mood: Poly-Rythmo de Cotounou, from their LP Zero+Zero = Zero (Star Musique SMP 6019):

Poly-Rythmo de Cotonou - Adin Gbanzon

Update: There is another very interesting anecdote about Benin, and some ultra-rare, unreleased tracks by Poly-Rythmo de Cotouou here.

Update 2: Those three new mixes are online here.

Thursday, August 9, 2007

Let's Start!


First of all, let me introduce myself: My name is John Beadle, and I live in Milwaukee, Wisconsin, USA. From January 1985 to June 2001 I produced and hosted a one-hour program, "African Beat," on WYMS 88.9 FM in Milwaukee.

For a number of years I have posted my discographies of African musicians on Dr. Toshiya Endo's African Music Home Page. I've also compiled a couple of "African Serenades" for Matsuli Music and contributed music to Comb and Razor. More than one person has suggested that I set up my own audioblog and after some resistance to the idea (I've got a lot of other irons in the fire) I couldn't think of one good reason why I shouldn't.

The thing that's so wonderful about the Internet is its democratic nature. We all contribute what we know - there are no "stars." I've learned so much from some of the other blogs that are out there and I hope to pass on some of the knowledge that I've gained over the years. Likewise I've heard some wonderful new sounds and hope to return the favor with selections from my collection.

The name "Likembe" refers to the Congolese version of the thumb-piano, an instrument that can be found across Africa, that in various versions is called the mbira, sanza, kalimba, ubo, etc. While the name is Congolese, that country probably won't be the main focus here; for one thing, there are quite a few places on the Web that deal with Congolese music already. I expect to spend a lot of time on Nigeria, as that's my main area of interest, especially Igbo music, but my interests run the gamut: Kenyan and Tanzanian music, Ethiopian funk and Senegalese mbalax, you name it. Maybe I can shed some light on some of the more obscure, little-known corners of African music, but I expect I'll learn a lot from you, too. And I reserve the right to write about things other than African music!

Like many, I was intrigued by the sounds of the Afro-Rock group Osibisa when I first heard them in the early 1970s. What really got me going, though, was, purely by chance, listening to Fela Ransome-Kuti's Live with Ginger Baker in 1973. Maybe you know the feeling: from that point there was no going back, as I spent every dollar I could spare on these strange and wonderful sounds from the African continent - Afrobeat, Soukous, Highlife, Benga, Makossa, Kwaito. . . and so on and on.

When I started "African Beat" in 1985 it seemed only proper that I should open my first show with the opening track from that 1972 Fela LP, which appropriately enough is entitled "Let's Start!" Likewise it seems a perfect tune to initiate this blog. Let's start!

Fela Ransome-Kuti & Africa '70 - Let's Start!