Here's an appropriate followup to our
last post of Ethiopian "ethnic" music:
3tä Weräyat Naye Tegriña Däräfeti Beheberät ("Three Famous Tigrinya Singers Together"), a compilation of musicians from the Tigray region of Ethiopia. The date on the inlay card is 1985, but that's from the
Ethiopian calendar. I'm guessing that would put it around 1992 or 1993, shortly after the fall of the the government of
Mengistu Haile Mariam and (possibly) before the independence of Eritrea in 1993.
Although they were sundered by those events, Tigrinya-speaking people live on both sides of the Eritrea-Ethiopia border, comprsing an estimated 55% of the population in Eritrea and 97% of the Tigray region of Ethiopia.
I've written before about Tigrinya music. It's apparent from even a casual listening that it's quite different from the better-known Amharic-language music of the Ethiopian highlands, with a more insistent rhythm and greater use of the
krar, a five-or-six-striged lyre. In recent years the
krar has even been
electrified, as demonstrated to great effect in this cassette.
Two of the artists here, Kiros Alämayahu and Bahta Gebre-Hiwot, were pioneers of Tigrinya music. According to his
Wikipedia entry, Kiros Alämayahu was a prolific singer and composer who was born in Saesi Tsaedaemba
woreda (county), Tigray province in 1948. In 1982-83 he joined the Ras Theater in Addis Ababa, recording his first album around the same time. Again according to Wikipedia, he died of "intestinal complications" in 1994, but another, questionable,
source attributes his death to poisoning by agents of the ruling
EPRDF party. As in everything learned via the internet,
caveat emptor.
Bahta Gebre-Hiwot was one of the outstanding composers, singers and stars of the "Golden Age" of Ethiopian music, amply documented in the
Éthiopiques series. Born in 1943 in Adigrat, Tigray province, in 1961 he was recruited by the famous Ras Hotel Band in Addis along with
Girma Bayene. After a number of recordings in the sixties, working with such luminaries as
Mulatu Astatke, in 1972 he abruptly quit the music scene to become an accountant. But here he is twenty years later, bigger and better than ever!
What's notable about these and other recent recordings by Bahta Gebre-Hiwot is their enthusiastic embrace of Tigrayan aesthetics as opposed to his more sedate recordings of the Sixties, which were often in Amharic. In fact, the contrast is so great that I suspected at first that the producers of the cassette had him confused with another Tigrayan star,
Hagos Gebrehiwot. But apparently not. This may be a reflection of the political and cultural upheaval brought about by the collapse of the
Derg government in 1991. Keep in mind that this revolution was led by groups that had been sidelined under previous regimes, notably but not exclusively the Tigray people of northern Ethiopia. Now, on paper at least, all nationalities in Ethiopia are equal. It may not be comfortable for all, but the new order has indeed created a situation where previously-marginalized groups feel more free to express themselves. There has been a backlash against "Tigray domination" in Ethiopia, but in spite of this Tigrinya music is quite popular all over the country.
I've been unable to find out anything about the third musician here, Tadesse Abreha, nicknamed "Wadi Koxäb," although he's well represented on
YouTube.
Kiros Alämayahu - Tä'agas
Bahta Gebre-Hiwot - Ruba'aday
Tadesse Abreha "Wadi Koxäb" - Hayat Tawärewaray
Kiros Alämayahu - Hezenzen
Bahta Gebre-Hiwot - Shemad Be'eray
Kiros Alämayahu - Nä'anado Lamerä
Tadesse Abreha "Wadi Koxäb" - Täbärabäre Hezebay
Bahta Gebre-Hiwot - Ayetegeray 'Ened
Kiros Alämayahu - Gado
Tadesse Abreha "Wadi Koxäb" - Nefus Shäshame
Unknown - Bonus Instrumental Track
Download
3tä Weräyat Naye Tegriña Däräfeti Beheberät here. Thanks once again to Andreas Wetter for his help with this post.
